傳統色彩與視覺環境的研究－以金門視覺印象數位化之建構爲例

Research on the Traditional Colors and Visual Environment-Taking the Construction of Kinmen's Visual-Digitalized Images as an Example

謝蘭芬(Lan-Fen Hsieh)

《藝術學報》 79期 (2006/10) Pp. 109-121

https://doi.org/10.6793/JNTCA.200610.0012

摘要

《繫辭傳》：「觀象於天」、「觀法於地」、「觀鳥獸之文與地之宜…」，描述著大地充滿著無窮的生機。在色彩的「象」表達出其生活的態度與象徵，以漢民傳統色彩觀是受到周易、五行、佛學、禪學、儒學的影響，並將其建構於倫理、教化、道統的體制中。藉由傳統色彩的思維，可看出其色彩之文學性、道德與哲理意義。如色彩內容將被視為符號現象，內含有神話、傳說、視覺語言等，透由詮釋衍意出不同的象徵和意義，若以視覺的應用思考，從傳統色彩解構，再重組新的價值和意義，除保有傳統的價值，亦使之充滿 趣味性。並以學理、人文與數位結合研究，使之系統化、人文化，進而期盼建構出金門獨 特之色彩資料庫。

關鍵字

五行 ； 傳統色彩 ； 數位

並列摘要

In the Biography of Xi's Words, the ancient Chinese observed the sky, the earth, and articles and places of birds and animals, which describes the mother earth is full of infinite vitality. The ”appearance” of colors expresses the attitudes and symbols of lives. The ideas about traditional colors in Han Dynasty were influenced by Zhou-yi, the 5 Elements Buddhism, Meditation and Confucian Philosophy. It also constructed with ethics, education and Confucian Orthodoxy. Through the mode of traditional colors thinking, we can find its literature of colors, ethics and philosophic meanings. With this approach, colors can be interpreted as symbols that embrace myths, tales, and visual languages with extended meanings and representations. From the deconstruction of traditional colors and based on the thinking application of vision, new values and meanings are reconstructed, which not only retains the traditional values, but also adds in a new taste of delight.

並列關鍵字

Five Elements ； traditional colors ； digital

參考文獻

一丁、雨露、洪涌編著(1999)。中國風水與建築選址。台北:藝術家。

于倬雲主編(2002)。紫禁城宮殿－建築和生活的藝術。香港:商務印書館。

王定理(1993)。中國畫顏色的應用和製作。台北:藝術家。

王校清編著(2002)。中國傳統建築術語辭典。台北:建築情報。

李奕興(1995)。建築彩繪。台北藝術家出版社。