進出「異國」與「中國」之間－以李金髮回到中國之後的寫作為中心（1920s-1940s）

Moving between the ＂Exotic＂ and ＂China＂: The Writings of Li Jinfa Following His Return to China (1920s-1940s)

余能城(Yu Neng-cheng)

《漢學研究》 40卷2期 (2022/06) Pp. 191-226

摘要

本文重述李金髮經歷，著重明其人際網絡與國民黨之互動關係，並分析其小中的「異國書寫」及「中國想像」。嘗試為目前李金髮研究，於其詩之外，另闢論述蹊徑。李金髮自海外返回中國後，觀察逐步走向愛國抗戰的路徑，可見其加入或親近國民黨的組織與行動中，為生活帶來某種程度上的保障。此外，抗戰中後期，在國民黨以「三民主義」為中心的「文藝政策」脈絡下，李金髮的小也展現出從「舊道德」中期待新中國的可能創作方向。本文首先，重述李金髮留學回國後之經歷，釐清李金髮的人際網絡，指出李金髮與國民黨及其文藝需求之互動關係；其次，討論其所作之異國戀愛小裡的「中國想像」，既寄託著海外青年的期待，卻又有著在封建文化之下產生桎梏與凝滯，以及經濟落後的狀態；最後，強調其小的官方意識展現，從三十年代具有明確的政治批判目標，到四十年代轉而展現中華民族與文化所蘊含的賡續之力，藉以呼應抗戰民族意識。

關鍵字

李金髮 ； 抗戰 ； 異國書寫 ； 中國想像 ； 三民主義

並列摘要

The present article narrates the experiences of Li Jinfa 李金髮 (1900-1976), with emphasis placed on the interactions between his interpersonal networks and the KMT, as well as analyzing the ＂exotic writing＂ and ＂Chinese imagination＂ in his novels. In this way, an attempt is made to provide different perspectives on Li outside of previous scholarship concerning his poetry. Li Jinfa's intention to ＂make a living＂ after returning to China was evident; that is, from observing his life experiences, it can be speculated that he joined or got close to the KMT and related activities to procure a certain degree of security. In addition, during the War of Resistance against Japanese Aggression, under the context of the KMT's ＂literary and artistic policies＂ centered on the ＂Three Principles of the People＂ (Sunology), Li's novels show a possible creative direction for a new China from ＂old morality.＂ This article is divided into three parts: first, Li's experiences of returning to China after studying abroad as well as his networks illustrate the interactive relationship between his artistic needs and the KMT. Secondly, it discusses the ＂Chinese imagination＂ found within his novels on exotic romance, which holds not only the expectations of overseas youth but also being shackled by feudal culture and an economic backwardness. Finally, the article emphasizes that the official consciousness of Li's novels moved away from having a clear goal of political criticism in the 30s to showing the cultural continuity of the Chinese nation as well as echoing the national consciousness concerning the war of resistance in the 40s.

並列關鍵字

Li Jinfa ； War of Resistance against Japanese Aggression ； exotic writing ； Chinese imagination ； Three Principles of the People

參考文獻

〈文學研究會宣言〉，《新青年》8.5(1921): 1-3。

〈大學院藝術教育委員會第一次會議錄〉，《大學院公報》1.2(1928.2): 57-58。

〈大學院藝術教育委員會第二次會議錄〉，《大學院公報》1.2(1928.2): 58-61。

〈附錄：大學院藝術教育委員會委員名錄〉，《大學院公報》1.1(1928.1): 163-164。

〈創辦國立藝術大學之提案摘要〉，《大學院公報》1.2(1928.2): 44-45。