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Comparative Study of Female Aesthetics in China and in the West

中西方女性美學之比較研究

摘要


該研究自東西方文明中,人類本性及愛情信仰的二個基礎根源,密切地衍生出中西方文化心理上各自相關的美觀念,並隨之影響到女性形象在各自文學的本體美學。在研究中我們將進一步探索:中西二大文化是如何呈現美學藝術及女人的靈肉合一。若女性美是深受文化環境的影響,那麼該二大文明以何方式表現女性美?又如何頌揚它呢? 女性在西方世界的各精神領域皆不缺席,諸如神化、哲學與宗教。此即意謂一個文明重視人類情感,並賜其一優越地位。此外,西方神話中的活潑綺麗的愛情,則有利於西方人的情感教育。因此,反觀中國神話中的女人,她們既不美麗,又不創造羅曼史。其次,缺乏冒險精神的中國文化,不信仰愛情,亦不崇拜真實的女性。與西方藝術形成比對,中國封建社會一向幽禁女性身體。她們的隱身與模糊影像,在生活一如在文學表現中,已成為不可破除之公式。

並列摘要


This study aims to provide a new interpretation of female beauty coming from Chinese and Western civilization. Focusing on the subject of Aesthetic in China and the West, this thesis stars from the research’s results of the vision of human nature and the worship of Woman, which drive two different cultural psyches, and influence subsequently the ontology aesthetic in these two literatures. In this research, we will elaborate the way of the artistic demonstration and the adhesion of female body and soul between the West and China. The worship of female beauty is influenced by different cultural circumstances. So how people express it? Why they praise it ? In the West, Woman appears in each spiritual sphere, such as Myth, Philosophy and Religion, it signifies that a civilization attaches dominating value to the sentimental field. FurtherLove in Myth just helps the sentimental education in the Western civilization. While women in Chinese Mythology have neither Love nor Beauty. Moreover, Sentimental education in Chinese culture is lacking in adventurous mind. In contrast to the Western art, female body is confined in Chinese feudal society, this is an infrangible postulate in routine as in literature.

被引用紀錄


魏名妤(2012)。〔碩士論文,國立交通大學〕。華藝線上圖書館。https://doi.org/10.6842/NCTU.2012.01057
歐陽廷杰(2016)。錢牟異同-錢穆與牟宗三之朱子思想詮釋的比較研究〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU201600924

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