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  • 學位論文

千禧年後香港警匪電影中的警察形象-以「灰警」為核心

The image of the police in Hong Kong police and bandit movies after the millennium - focus on "grey police"

指導教授 : 楊明昱

摘要


警匪類型作為香港最重要的類型片之一,在經歷政治變化後的香港警匪電影中的警察產生「灰色」警察形象的出現。本研究採用文本分析為研究方法,以類型與意識形態為理論架構加以分析,並以CEPA簽訂後的十年,2013年的《掃毒1》與《風暴》,以及近期2020年《拆彈專家2》與2021年《怒火重案》為本研究分析文本,此四種警察形象皆為本研究所論述之「灰警」,本研究試圖研究香港警匪電影中的「灰色」警察形象,探討警察形象如何塑造及轉變,藉由電影對警察形象的刻畫與形塑,能更好的解析香港的社會價值及文化上的轉變。 藉由電影分析發現,警匪片中香港警察形象,轉變為灰色的形象出現反映著香港的社會現況及發展,有時代上的意義,反映出警匪片在中國電檢制度的制約下,卻又欲凸顯出香港本土意識所特有的「港味」。這20餘年以來,依靠著中國的資金及市場的香港電影,在面對自身命運的無法掌控,持續都具有濃厚的宿命論觀點在其中,正是香港人的無奈現況,及對於命運的無奈及不可控性,恰恰皆與香港的現況是一致的,也可以說電影中的「灰警」形象或許是香港人日前的縮影。2013年的文本顯示出警察對於制度的妥協,而近期的文本則是警察對於制度的反抗,日前香港社會運動一次比一次升級,顯示出香港人的自我意識正逐漸強大,與電影中的警察形象是互為映照著發展。

並列摘要


The police and bandit genre is one of the most important genre films in Hong Kong. After the political changes, the police in Hong Kong police and bandit movies have produced the appearance of "gray" police images. This research uses text analysis as the research method, with the type and ideology as the theoretical framework for analysis, and takes the ten years after the signing of CEPA, "Anti-drug 1" and "Storm" in 2013, and the recent 2020 "Bomb Disposal Expert" 2" and 2021 "Furious Cases" are the analysis texts of this research. These four types of police images are the "grey police officers" discussed in this study. How to shape and change the image of the police, through the portrayal and shaping of the image of the police in the film, can better analyze the social values and cultural changes in Hong Kong. Through film analysis, it is found that the image of the Hong Kong police in police and gangster films has changed to a gray image, which reflects the current social situation and development of Hong Kong. The unique "Hong Kong flavor" of Hong Kong's local consciousness. For more than 20 years, Hong Kong films, which have relied on Chinese funds and markets, have continued to have a strong fatalistic view in the face of their own destiny. Controlling is exactly the same as the current situation in Hong Kong. It can also be said that the image of the "grey police" in the film may be the epitome of Hong Kong people. The 2013 text shows the compromise of the police to the system, while the recent text shows the police's resistance to the system. Recently, the social movements in Hong Kong have been escalating one by one, showing that the self-consciousness of Hong Kong people is gradually strengthening, which is in line with the image of the police in the film. It is a reflection of each other's development.

並列關鍵字

Hong Kong Movies Type of cop grey police image

參考文獻


一、中文書目
石琪(1991)。〈香港:80年代電影的成就感和危機感〉,焦雄屏編,《新亞洲電影面面觀》,臺北:遠流出版社,30-32。
李達義(2000)。《好萊塢、電影、夢工廠》。臺北:揚智出版社。
徐立功、井迎端、黃建業總編輯(1999)。電影辭典。臺北:財團法人國家電影資料館。
索亞斌(2010)。《香港動作片的美學風格》。北京:中國傳媒大學出版社。

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