- 學位論文
泰雅族原住民神話故事『石生』─ 複合纖維繪本創作
The Creation of Atayal Myth Story in " Stone Get"－by Using Compound Fabric Media.
摘要
摘 要 在文建會文化創意產業的推動下，「全球思考、在地行動」更成為21世紀之主流思維。因此，要發展台灣文化創意產業的關鍵，在於具有國際競爭力的文化特殊性與創造力；在此強調的是「文化特殊性」，如何使多元化的本土文化藝術，以增強人民對文化認同的附加價值，進而能提升國際識別性與競爭力。 因此，在台灣要如何運用文化特色，來創造具本土特色的「文化產品」(cultural product)，台灣原住民文化便是台灣本土化的代表。 近年來，原住民族之相關議題在國內備受矚目，許多人對原住民文化與部落藝術的認識不甚了解。希望透過文獻的蒐集與研究和實際創作互相整合，深入了解台灣原住民的傳統文化的特殊性。透過台灣原住民神話的內涵及特質，了解到神話故事是一個民族或地方性的思想精華，以此作為創作的出發點；將台灣原住民各族『石生』神話故事作一比較，篩選出創作的內容；選擇以泰雅族原始起源神話故事為創作的題目，藉由神話故事中所獲得的了解及啟示，表現在具原鄉藝術情懷的複合纖維繪本，來彰顯原住民口述文化之抽象故事概念，做成一實體意義的具體表達。 創作作品部份以情感經驗、在地部落藝術為基礎，並以古老神話故事、原始圖騰符號為創作內容的要素。著重於原住民神話故事中所流露的自然情懷與人文關注，希望傳達出人類與天地自然間，共存共生累積而來的生活智慧與情感。將泰雅族原住民族『巨石生人』神話故事，透過複合纖維素材及纖維技法的相互運用，達到「傳統再造」之創新、獨特的本土文化價值。 此創作是希望讓原住民或非原住民兒童在閱讀繪本時可以清楚且了解泰雅族的傳統文化內涵；認識原住民的神話起源與傳說的傳統文化之美；並認識多元且豐富的泰雅族神話故事，企圖傳承原住民族部落藝術的延續目的。
並列摘要
Abstract The cultural creative industry of “world thinking, local action”, promoted by Council of Cultural Affairs, becomes the main thinking way of 21th century. Therefore, the key point of developing Taiwanese cultural creative industry is having the international competition which includes culture particularities and culture creations. Hereby, we will emphasize the culture particularities, how to diversify local arts and increase the addition value of people’s cultural identification in order to promote the international identification and competition. For this reason, the method of how to apply cultural particularities in order to create local cultural product in Taiwan is Taiwanese aboriginal cultures which are the representatives of Taiwanese localization. In recent years, the related subject of aborigine tribes is leading a focused attention in our country and many people do not quite understand the cultures of aborigine and the arts of tribe. We hope we can understand more about the particularities of traditional cultures of Taiwanese aborigine through the adjustment of the collections and researches of cultural records and actual creations. Through the contents and characteristics of Taiwanese myth of aborigine, we can understand the myth story is the ideological essence of a race and a region. According to this ideological essence, we can compare the myth stories of “the stone get” of Taiwanese aborigines to each other and sieve the contents of creations. Therefore, we can choose the myth story of the origin of Atayal Tribe to be the topic of creation and use the understanding and the apocalypse of myth story to perform the original country art feelings on a compound fiber picture book. From this book, we can make an abstract cultural concept, from aborigine’s oral description; become a substantial meaning of a specific express. Mention to the part of creative work, we can refer to the emotion experience and the local tribe art. Moreover, we can also take the ancient old myth story and the original totem sign to be the main factor of creative content. The reason why we put the great emphasis on the natural emotions and mankind concerns, revealed from the myth stories of aborigines, is because we hope this effort can express the life intelligences and emotions which are from coexistence and existence between human beings and natural world. According to the myth story of Ayayal Tribe “megalith stranger”, the story is performed through the compound fiber materials and the fiber skills, we can reach to the innovative and special local cultural value of “the traditional reproduction. This creations is hope aborigine or not aborigine's children can understand the traditional cultural content of Atayal Tribe clearly while reading the picture books. Furthermore, they can understand the myth origins of the aborigines and the beautiful legends of the traditional cultures. At the same time, while the understanding of the diverse and plentiful myth stories of Atayal Tribe, we can attempt to reach the purpose of continuing the arts of the tribes.