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巨大化的書寫:論鯨向海詩集《大雄》中情感表述的藝術與想像

The Giantized Writing Work: A Discuss of Art and Imagination of Emotional Description in Jing Shiang Hai's Poetry, "Da Shiung"

摘要


鯨向海是台灣中生代以後著名的詩人之一,著有詩集《大雄》、《通緝犯》、《精神病院》等書。其詩風其特殊、用語大膽並具豐富想像力,對於新一代寫作者有相當大的影響。然歷來論者多以鯨向海的精神醫師特質或同志書寫主題作為討論的進路。本文則以詩集《大雄》作為研究文本,發現其中詩作豐富想像、誇張的特色在於敘事的巨大化的書寫策略運用,「巨大化的意象」使其詩作具有其誇張、具有活力、生動的藝術特色,本文據此作為討論,期望能更加澄明鯨向海詩作的藝術與想像特質。

關鍵字

鯨向海 大雄 巨大化 想像

並列摘要


Jing Shiang Hai was one of the most popular poets of times after mid age in Taiwan. He had published several poetry such as ”Da Shiung”, ”The Wanted”, and ”The Asylum”. His writing style was unique, and his wording was bold and full of imagination, which strongly influenced writers of the new generation. The past studies often discussed Jing Shiang Hai's writing from his psychiatrist feature or homosexual topics.This study took his poetry, ”Da Shiung” as study object, and found out that the key to master hyperbole and imagination was the giantized writing skills. Using giantized description made poetry powerful and vivid. This study focused on this topic, and hoped to clear the artistic and imaginative features of Jing Shiang Hai's poetry.

並列關鍵字

Jing Shiang Hai Da Shiung giantized imagination

參考文獻


方群(1999)。來自深海的回音─淺論鯨向海的三首近作。幼獅文藝。552,53。
李瑞騰(2008)。那年秋天的動機已經變成落葉─談鯨向海入選《新詩三十家》的五首詩。幼獅文藝。653,58-61。
林佩珊(2008)。精神不死,只是有病─析論臺灣現代詩中精神病症的想像書寫。臺灣詩學學刊。11,89-124。
林佩苓(2009)。隱/現於詩句中的同志意象─以鯨向海為觀察對象。當代詩學。5,5-30。
陳雋弘(2009)。關於蘋果的魔術─我讀鯨向海〈那晚的魔術〉五首。幼獅文藝。664,57。

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