韻律與脫序之間：卑南下賓朗社祭儀歌曲的建構

歌謠透過時間的延續建構起一種特有的形式，這個形式時常在重複與改變的兩極擺動，聲音的改變使得歌謠動聽迷人，然而，只是不停的改變聲響卻無法成為一首歌謠，反而適度的重複才是建構歌謠的基本要素。因此，歌謠在時間長度與聲響高低組合當中，選擇韻律（Ordre）聲響建構出穩定的音樂形式；應用脫序（Désordre）手法豐富歌謠的內涵。而這種規律與脫序手法的建構，正是組成民族音樂特色的泉源。因此，音樂的規律、脫序法則與族群內部時間系列的特有關係，便成為研究族群內在思考不得不關注的議題。本文試圖藉由卑南族下賓朗社祭儀歌曲的建構方式，結合歲時、生活空間、性別以及歌唱形式、口傳文學方面，經由實地田野觀察及分析，發現下賓朗社的祭儀音樂無論在歌曲建構、歌唱形式，均可用擺盪在規律與脫序之間來形容，這種組合特性與性別、生活空間、歲時展延等行為均有密切同質性。綱要：一、前言：規律與脫序二、下賓朗部落組成傳說三部曲三、祭歌與性別的對唱四、結語：歌謠、歲時祭儀的循環與脫序

關鍵字

韻律；脫序；對唱；迴旋

並列摘要

Through the continuing of time span, a special form being generated. As the time swinging In between repetition and alteration frequently, the special form is thus established within the folklore. By means of the alteration of sound makes a charming melody. But, a restless alteration generates no good folklore, it is the proper repetition that as the basic element to construct folklore. In the combination of time span and acoustics, an ordered sound being made for the folklore, and which generates a stable musical form. At the mean time, a disordered sound enriches the connotation of the folklore. Since order and disorder are two important means to be presented in the folksong alternatively, the relationship in between the season succession of the Puyumas and the musical order and disorder is than worth paying attention to.The paper focuses on the Puyumas' liturgical songs at Pinaski, especially in that the ways being sung, and the means being constructed. In addition, the succession of the season, the gender, the livelihood, and the oral literature of the Puyumas are investigated as well. Through the observation and analysis, the liturgical songs of the Puyumas at Pinaski exemplify an intimate relationship to their daily life, which also display the swinging in between order and disorder.1. Order and disorder2. The three legends to Pinaski3. The anti-phone with liturgical songs and gender4. The recurring and disorder-the folklore and the season's liturgy

並列關鍵字

Order ； Disorder ； Anti-phone ； Rondo

國際替代計量

韻律與脫序之間：卑南下賓朗社祭儀歌曲的建構

全文下載

主題瀏覽