- 期刊
洛杉磯世紀末災變之戲劇再現與自然／文化斷層之交錯：以獨角戲《日暮洛城1992》及歌劇《觀頂見日》為例
Representing Natural and Cultural Fault Lines in Millennial LA Catastrophes: Twilight: Los Angeles, 1992 and I Was Looking at the Ceiling and Then I Saw the Sky
參考文獻
Bhabha, Homi K.(1992).The Location of Culture.
Brustein, Robert(1994).Twilight: Los Angeles 1992.The New Republic.18,29.
Caruth, Cathy(1995).Trauma: Explorations in Memory.
Caruth, Cathy(1996).Unclaimed Experience: Trauma, Narrative, and History.
Davis, Mike(1990).City of Quartz: Excavating the Future in Los Angeles.
延伸閱讀
- 劉建幗（2022）。好萊塢與歌仔戲：以布萊克．史奈德（Blake Snyder）之電影編劇理論分析明華園《蓬萊大仙》劇本。載於國立臺灣藝術大學表演藝術學院表演藝術研究所（主編），2021跨界對談16－表演藝術研究學術研討會論文集（頁156-176）。國立臺灣藝術大學表演藝術學院表演藝術研究所。https://www.airitilibrary.com/Article/Detail?DocID=P20230411001-N202304110021-00008
- 王世偉（2018）。從宛如劇場的城市 到代表城市的劇場－洛桑維蒂劇院藝術總監波迪耶的經營策略。PAR表演藝術雜誌，(312)，120-122。https://www.airitilibrary.com/Article/Detail?DocID=10213139-201812-201812140006-201812140006-120-122
- Han, C. W. (2013). 哈林文藝復興時期的美非都會現代性：童妮．摩里森《爵士樂》中都會個人疏離與社群連帶的辯證關係. 文山評論：文學與文化, 7(1), 119-148. https://doi.org/10.30395/WSR.201312_7(1).0005
- 謝世宗（2018）。Apocalyptic Imagination and Temporal Consciousness in Hou Hsaio-Hsien's Films: From Daughter of the Nile and Goodbye South, Goodbye to Millennium Mambo and ＂A Time for Youth＂。東吳中文學報，(36)，155-180。https://www.airitilibrary.com/Article/Detail?DocID=10271163-201811-201812050008-201812050008-155-180
- 蔣妙琴（2013）。The Collation of "The Complete Collation of Taiwanese Poetry: Edition from the Digital Knowledge Base" of Lin, Yu-Su's Poetry is from "Lying Clouds and Chanting Mellows"。藝見學刊，(6)，75-86。https://doi.org/10.6207/ART-VISION.2013.10(6)075-086