「我」在「寫」－書法書寫「現象」之描述

"I" am "Writing"-A Discussion in Describing the "Phenomena" of Calligraphy Writing

林世斌(Shih-Pin Lin)

《人文研究期刊》 8期 (2010/12) Pp. 1-30

https://doi.org/10.29521/JHR.201012.0001

摘要

在電腦網路發達的當下，用毛筆書寫早已式微。然而，欣賞與創作書法作品，依然是一件吸引人的事情。因此，筆者希冀透過本文的探究，重新描述創作者在書寫時身心與時空的關係，並以自身的經驗、閱讀與了解，來說明當中的現象。身體與心靈之間的關聯，應是成為一體而難以切割，只要當人繼續地存在於世上，就會持續相互牽連下去。在書寫時，書者用手在寫、用眼在看，經由感官的體驗，再判斷、修正，以期使自己寫出更好作品。書寫的過程中，書者的身心合為一體，超越了時間與空間的限制，與大自然一同存在，並和世界進行對話，達到天人合一。亦即是書者在時空之中綿延的書寫，體驗真實的存在於世上，是其真誠的、真實的留痕，真正獲得身、心、物的相融。

關鍵字

書寫 ； 身心 ； 時空 ； 綿延 ； 現象 ； 描述

並列摘要

These days, writing with the Chinese brush pen has gradually been replaced by the computer and internet. However, it still remains fascinating to appreciate or create a nice piece of calligraphy work. Therefore, by the following discussion, the author hopes to illustrate the multi-relations of body-mind and time-space that a calligraphist goes through while he is creating works. The connection between body and mind should be correlated and undividable as long as a person physically exists in the world, this kind of mutual movement continues. When calligraphists write, they write with their hands and observe with their eyes. With these sense organs they revise and correct to improve their work in accordance with their feelings, experience and ideas. Through the writing process, it becomes inseparable of the calligraphist’s body and mind therefore surmounting the restrictions of time and space. Artists are then able to carry on a dialogue with the world as they are communing with nature. This is also when an artist becomes genuine about who truly exists in the world through his work of calligraphy. In addition, a durable work of art is a true and sincere mark that the artist leaves to the world as a living proof that he actually has experienced the fusion of body, mind and soul.

並列關鍵字

write ； body-mind ； time-space ； duration ； phenomenon ； describe