浪漫時期歌劇《糖果屋》服裝設計作品─以哥德服飾為現代服裝設計應用創作

歌劇是最早的綜合性表演藝術，在歌劇的演出現場包含樂團的現場演奏、歌者的美妙歌聲、舞臺設計的劇場技術、服裝設計的整體造型以及燈光設計的聲光效果…等。現代歌劇的演出製作之所以讓人著迷，其中的音樂詮釋與故事劇情及人物造型都是重要的因素。現代觀賞者期待的歌劇製作是具備總體藝術呈現的創作團隊。現代歌劇的服裝設計有別於一般的服裝設計，設計者的考量除了故事劇情與服飾的年代風格之外，需進一步分析作曲家的創作風格與音樂動機、角色的音樂性內在詮釋，思考更多符合人體共鳴發聲的現代服裝剪裁設計之應用。本文以第十四屆師大藝術節—親子歌劇《糖果屋》演出之服裝設計作品為例，探討哥德服飾的現代服裝設計與應用創作。

關鍵字

韓賽爾與葛麗特；糖果屋；洪佩爾丁克；哥德時期服飾；劇場服裝設計；親子歌劇；格林童話；哥德服飾的現代服裝設計應用創作

並列摘要

Opera is the most early combination performance art; it includes the music form the orchestra, the voice from the singer, the stage design made by the artificer, the clothing of the costume design and the light effect from the light design...etc. How the modern opera attract people is by its musical performance, the story and the character. The present audiences expect the drama is produced by the team work of overall art performance. The costume design of the modern opera is different from those fashion designs. The costume designers not only have to consider the historical form of the plot and the costume, but also have to analyze the motive and the style of the composer and the musical interpretation of every character, in order to plan the application of the modern costume design which fit for the human resonance. This thesis takes the costume design of the opera “Hansel and Gretel” performed in 14th NTNU Art Festival as the case study, discussing “The Applied creation for Gothic Style Clothing as Modern Costume Design”.

並列關鍵字

<Hansel and Gretel> ； Humperdinck ； Gothic dress ； costume design ； family opera ； Grimm's Fairy Tales ； The Applied Creation for Gothic Dress as Modern Costume Design