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利用眼動追蹤技術探討版式設計與美感情緒之關聯性

Exploring the Relationship between Layout Design and Aesthetic Emotion through Eye Tracking Method

摘要


編排形式的概念在日常生活中隨處可見,不管平面媒體或是立體空間,都需要經過編排設計,才能有好的視覺引導與美感經驗。不同版型與內容如何影響觀者的視覺動線和情緒,是設計實務與美感教育上的重要議題,然而目前相關的探討卻不多。本研究首先探討基本版式原型,接著利用眼動追蹤實驗與PAD 情緒量表分析受測者的瀏覽動線與美感情緒。眼動實驗採取「版型編排」與「文字內容有無意義」的二因子實驗架構,觀察「文字有無意義」在八種不同版型編排下的眼動結果有何差異。除比較了八種版式原型的眼動軌跡與停留區域之特徵與分布,也分析「版型」與「文字有無意義」兩因子如何影響PAD 美感情緒。研究結果發現,兩因子對愉悅情緒有顯著之交互作用、版型因子會影響喚起情緒、文字內容有無意義則影響支配情緒。除理論貢獻外,本研究也希望提供藝術設計教學時,更明確且具效率的建議,進而設計適用於現今多元媒介平臺的編排設計。

並列摘要


Layout design is ubiquitous in daily life, an indispensable element behind successful visual guidance and aesthetic experience of 2-dimensional media or 3-dimensional spaces alike. Therefore, how different layouts and content lead to different user eye movement and emotional reactions becomes a vital subject for practical designs and aesthetic education, while relevant studies are few in number. The present research started off by discussing basic layout prototypes. Then an 8 × 2 factorial design experiment was employedbased on two factors, "layout design" and "content meaningfulness/meaninglessness." It used eye tracking technique and Pleasure- Arousal-Dominance (PAD) emotion measurement scale to analyze browsing movements and aesthetic emotions of 40 participants. As the results showed, the two factors have notable interaction with Pleasure emotion; layout factor influences Arousal emotions, while content meaningfulness/meaninglessness influences Dominance emotion. Besides making theoretic contributions, the present research also hopes to provide clear guidance for design education and thus facilitate layout designs fitting the current multimedia platforms.

參考文獻


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