編排形式的概念在日常生活中隨處可見,不管平面媒體或是立體空間,都需要經過編排設計,才能有好的視覺引導與美感經驗。不同版型與內容如何影響觀者的視覺動線和情緒,是設計實務與美感教育上的重要議題,然而目前相關的探討卻不多。本研究首先探討基本版式原型,接著利用眼動追蹤實驗與PAD 情緒量表分析受測者的瀏覽動線與美感情緒。眼動實驗採取「版型編排」與「文字內容有無意義」的二因子實驗架構,觀察「文字有無意義」在八種不同版型編排下的眼動結果有何差異。除比較了八種版式原型的眼動軌跡與停留區域之特徵與分布,也分析「版型」與「文字有無意義」兩因子如何影響PAD 美感情緒。研究結果發現,兩因子對愉悅情緒有顯著之交互作用、版型因子會影響喚起情緒、文字內容有無意義則影響支配情緒。除理論貢獻外,本研究也希望提供藝術設計教學時,更明確且具效率的建議,進而設計適用於現今多元媒介平臺的編排設計。
Layout design is ubiquitous in daily life, an indispensable element behind successful visual guidance and aesthetic experience of 2-dimensional media or 3-dimensional spaces alike. Therefore, how different layouts and content lead to different user eye movement and emotional reactions becomes a vital subject for practical designs and aesthetic education, while relevant studies are few in number. The present research started off by discussing basic layout prototypes. Then an 8 × 2 factorial design experiment was employedbased on two factors, "layout design" and "content meaningfulness/meaninglessness." It used eye tracking technique and Pleasure- Arousal-Dominance (PAD) emotion measurement scale to analyze browsing movements and aesthetic emotions of 40 participants. As the results showed, the two factors have notable interaction with Pleasure emotion; layout factor influences Arousal emotions, while content meaningfulness/meaninglessness influences Dominance emotion. Besides making theoretic contributions, the present research also hopes to provide clear guidance for design education and thus facilitate layout designs fitting the current multimedia platforms.