符號．象徵．花語－視覺意象的浪漫表現之研究

Signs, Symbols and Languages of Flowers: A Study on the Romantic Presentation of Visual Images

林鳳雯(Feng-Wen Lin)

指導教授 ： 吳永欽

長榮大學/人文社會學院/美術系(所)/碩士(2012年)

https://doi.org/10.6833/CJCU.2012.00074

摘要

符號．象徵．花語－視覺意象的浪漫表現之研究

大量自然的景色透過心靈的視野，藉由畫筆轉化成意象寫意的浪漫，嬌豔麗人的花朵，停留在畫作上的那份感動，充滿對生命、塵埃與空氣的詩情畫意與純真，伴隨著想像與回憶，讓心靈彷彿沐浴在晨曦的朝陽中清新恬靜，一切外在形式和技巧的取捨，都必須以心靈為依歸，順心所映才是。

筆者在作品的象徵意涵中透過「花語」的寓意，深刻的表達詩情畫意的創作思維，以花語的象徵抒發內心思緒，結合藝術理論與美感形式，呈現筆者所構築的浪漫氛圍。作品中透過充滿生命力並帶著詩情畫意的浪漫花朵，融合夢境異想在畫布上輕舞飛揚，藉由這次的創作經驗，試圖探究沉靜優雅的花朵之奧妙，了解花語的象徵意涵。同時剖析印象派、浪漫主義、超現實主義、象徵主義與表現主義於筆者創作過程的影響，透過藝術創作的主觀形式及感性色彩，試圖直探繪畫的本質。

本研究主要的文章架構如下：
第一章、 緒論：創作論述的研究動機與目的、研究內容與方法、範圍，名詞釋義。
第二章、 文獻探討與圖像分析：研究以花為題材的西洋藝術家並與筆者共鳴之創作風格，了解其創作精神與繪畫特色，融合個人審 美觀念，作以文獻整理與探討。
第三章、 第三章、創作理念與創作實踐：創作本質的呈現與花語的詩意與象徵意涵，結合個人創作作品實踐詩情畫意的浪漫表現與思維。
第四章、 創作作品解析：分析創作形式、內在思維與色彩構成，主要作品論述。
第五章、 結論：專題研究之核心，心得與創作理念的綜合與省思，並探討未來創作的方向與延伸。

關鍵字

符號 ； 象徵 ； 花語

並列摘要

Signs, Symbols and Languages of Flowers:
A Study on the Romantic Presentation of Visual Images

Abstract

Through the perspective of the soul, exuberant natural scenery is transformed into imagery that features impressionistic romance via the painting brush. Delicate and charming flowers and the emotions touched which were embedded in the painting are full of poetic charm and purity that we use to admire life, dust and the air. With imagination and the past moments imprinted in the memory, the human soul can be refreshed and peaceful as if bathing in the sunlight of the dawn. External forms and skills for painting creations must be the embodiment of soul and mind.

In regard to the symbolism in the artworks, the author employed the connotations of “flower languages” in order to profoundly express both the ideas and emotions that underlie the poetic creation. By combining art theories and aesthetic forms, the author presented a romantic atmosphere. Through the vivacious, poetic and romantic flowers portrayed in the artwork, as well as the dreamland fantasy, the author presented the ideas on canvas. Through this creative experience, the mystery of the peaceful and elegant flowers was explored to obtain a better understanding of the connotations of the languages of flowers. More than that, the influences of impressionism, romanticism, surrealism, symbolism and expressionism on the creative process were analyzed; the nature of painting was delved into through the forms perceived subjectively and the colors reflecting human feelings in artistic creation.

The structure of this research is as follows:
First chapter-Introduction: the research motivation and purpose, research content, methodology, scope and terminology;
Second chapter-Literature review and analysis of painting images: investigation of the creative style of Western artists whose works featured flowers and comparison of the creative style of theirs and the author’s, in order to better understand the creative spirit and painting features of these artists with which, coupled with the author’s personal aesthetic viewpoints, the literatures were compiled and analyzed.
Third chapter-Creative concept and practice: the nature of artistic creation, poetic feelings and connotations of flower languages, and the author’s artworks that are presented in a romantic way.
Fourth chapter- Analysis of artworks: the analysis of creative forms, underlying ideas, color composition, and statements on main artworks.
Fifth chapter- Conclusion: the core of the research project, summary and reflection on the knowledge gained during the research process and the creative concepts, as well as a discussion on the future creative directions and development.

並列關鍵字

sign ； symbol ； language of flower

參考文獻

李明明 著。《古典與象徵的界線》，台北：東大圖書股份有限公司，1993。

（一）、中文書籍：

何政廣 著。《藝術中的花卉》，台北：藝術家出版社，2010。

劉文潭 著。《藝術品味》，台北：臺灣商務出版，2009。

蔣躍 著。《繪畫形式語言研究》，安徽，安徽美術出版社，2009。