人性解放、技術與想像力－論馬庫色的藝術烏托邦思想淵源

The Liberation, the Technology, and the Imagination-On the Concept and Its Background of the Art Utopia of Herbert Marcuse

吳承澤(Chen-Tse Wu)

《藝術評論》 17期 (2007/10) Pp. 191-210

摘要

本論文主要討論新馬美學家馬庫色(Herbert Marcuse)的藝術烏托邦概念，本文將其解析爲三個部份，佛洛依德精神分析理論、西方當代對技術的思考和德國浪漫派對想像力的推崇等三個方面，來理解馬庫色藝術烏托邦理論。本文的焦點在於馬庫色如何透過和上述的三個領域對話，發展出其獨特的藝術烏托邦觀念，以及如何將這個藝術烏托邦觀念落實到寶際藝術作品的評論上，最後本文將會簡介馬庫色對前衛劇場的批評。

關鍵字

馬庫色 ； 佛洛依德 ； 藝術烏托邦 ； 想像力 ； 技術 ； 自主藝術 ； 承諾藝術

並列摘要

This paper tries to look into the concept of art utopia of the Neo-Marxism philosopher, Herbert Marcuse. The analysis will be divided into three parts in order to probe into Marcuse's art utopia theory: they are Freud’s psychoanalytic theory, the western contemporary concept of technology, and the worship of imagination advocated by German romanticism. It will demonstrate how Marcuse develops his unique concept of art utopia under the influence of these three kinds of thinking, as welt as how he actualizes the concept of art utopia in doing art criticism. Last but not least, it will give a brief discussion on Marcuse's criticism on the avant-garde theater.

並列關鍵字

Marcuse ； Freud ； art utopia ； imagination ； technology ； autonomy art ； committed art