中國哲學裡的一個後現代圖像－以儒家“結構”與“解構”義蘊為軸心的說明

A Post-modern Image of Chinese Philosophy-An Account Based on the Confucian Implications of "Structure" and "Deconstruction"

楊秀宮(Hsiu-Kung Yang)

《哲學與文化》 34卷2期 (2007/02) Pp. 39-58

https://doi.org/10.7065/MRPC.200702.0039

摘要

本文嘗試從儒學的新詮釋進而談論儒學在過去與今日的後現代論述情景，並進一步推論中國哲學裡具有從事後現代論述的條件。本文主要選擇用儒學作為研究的起點，從「結構」與「解構」兩個面向來察識其意義的演變。亦即是從後現代觀點解讀儒學的變化與發展，細項論述之內容包含孔子的正名論(the rectification of names)、孟荀思想的差異及其辯證發展的創造性義涵，並論儒學理想結構的發明與發現，最後則從「儒學理想結構」的理解，進而追溯與「理想結構」(ideal type)乃同實而異名的「道」，來完成勾畫中國哲學裡的後現代圖像(image)。

關鍵字

儒家 ； 孔子 ； 孟子 ； 荀子 ； 後現代 ； 解構

並列摘要

This paper intends to adopt the new implications of Confucianism to explore how post-modern philosophical discussion on Confucianism is made in the past and today. It is further argued that Chinese philosophy is capable of conducting post-modern philosophical exposition. This paper starts from the studies on Confucianism, to investigate the transition in meaning based on two dimensions: ”structure” and ”deconstruction”. In other words, this paper tries to look into the changes and developments of Confucianism from post-modern perspectives. Detail discussion and concepts include ”the rectification of names” by Confucius, the differences between the thoughts of Mencius and Hsün Tzu, and the creative implications derived from their argumentation and development. The inventions and discoveries of Confucian ideal type are also stated. Finally, from the understanding of the ”Confucian ideal type”, that the ”ideal type” in post-modernism is synonymous with the Chinese concept ”Tao” (the way). By doing so, the paper tries to illustrate the post-modern image of Chinese philosophy.

並列關鍵字

Confucianism ； Confucius ； Mencius ； Hsün Tzu ； post-modernism ； deconstruction