透過您的圖書館登入
IP:18.118.138.223
  • 期刊

邁向湧現美學的基本設計教學研究

A Study on Design Methodology of the Emerging Aesthetics

摘要


本研究主要在探討建築設計在數位工具與生物學觀點介入後,如何將形態生成語彙的,以自然的湧現特質呈現在設計中。設計的操作方法透過材料特性的探索、量體聚集和力學傳遞的差異與連續,企圖創造出不同於以往只有幾何的組織特性而能傳達自組織美學的意。此看法包含Las Spuybroek所說解釋的新激進唯物主義概念,可以體現從構築、跨越物質感知與物質本身產生共鳴的設計方法。目前在數位設計型態上十分常見。但是,如何避免只是複製形式而不了解邏輯的生成原則,將材料探索和其生成意義傳遞給學生,需要一套較完整的設計教學方法。本研究歷經三年的嘗試,已接近明確的方法論,其目的就是希望讓學生從近身事物之觀察為起點,分門別類理解各種材料與對應工具的技術,最後運用於生成形式獨特的空間內涵。即便學生沒有直接接觸或使用計算機工具或任何種類的演算和結構運算軟體。學生也能自然地體驗形式由下而上的生成方法,以及來自構築性物件中結構力量的流動與傳遞經驗。他們可以看到組織的流動性如何轉移到物體結構中。

關鍵字

重要性 行動 生成 形態學 抽象 方法

並列摘要


The research primarily explores how, after the introduction of digital tools and biological viewpoints, architectural design may express the morphological generation language within as a natural emergence. Through the exploration of material properties, mass aggregation and the force distribution and continuity, the design method attempts to create an assemblage characteristic containing more than simply geometry as in the past, and the ability to communicate the aesthetic value of self-assemblage. This aspect was also explained by Las Spuybroek, on new radical materialist concept that embodies a design approach resonating with the tectonics, cross-material perception and the material itself. At the moment, this approach is prevalent in digital design. Nonetheless, for the purpose of conveying this tectonic significance to students by the material exploration, and avoiding a simple replication of form and uninformed of the principles that generate such logic, a more thorough method in design teaching is required. After three years of experimentation, the research has nearly arrived at a clear methodology, which aims to allow students to take the observation of the surrounding objects as the outset, categorizing and understanding the materials and set of techniques of respective tools, and finally realized by generating unique forms of spatial connotation. Even if the students have yet been in direct contact or use of the computational tools or any types of algorithms and structural calculations, they can naturally experience the bottom-up approach of the form generation and the flow of structural force from the tectonic, thus pass on the experience. They will observe how the organizational mobility is transferred to the structure.

並列關鍵字

Materiality Operation Generate Morphology Abstract Methodology

參考文獻


孫全文,王振源(2002)。結構主義與集體形式-IHTA研究報告 6。
柯特基格爾著,鐘英光譯(1990)。現代建築之結構造型。台北:台隆書店。
Marc Angelil, D. H. (2008). Deviations: Designing Architecture: A Manual. Switzerland: Birkhauser Basel.
Lorenzo-Eiroa, P., & Sprecher, A. (2013). Architecture Information on the Nature of Information in Digital Architecture. Abingdon, Routledge
Spuybroek, L. (2012). The Sympathy of Things: Ruskin and the Ecology of Design. nai010 publishers.

延伸閱讀