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清詩女性選本研究

Research on Women's Poetry Anthology in Qing Dynasty

摘要


有清一代,女性詩歌選本不論在數量上還是在規模上都遠超前代。究其繁盛之原因,主要歸功於清代女性創作群體的壯大、知名士人對女性詩歌創作及選本編刻的支持、肯定以及女性詩歌創作質量的全面提升。這些女性選本鮮明地反映了清代女性創作群體的三個特徵,即地域性、家族性和依附性。另外,在清詩女性選本的編纂和釋評中,我們也可窺見男性詩學話語主導下的女性詩學樣態。

並列摘要


With the growth of women's writing groups, women's poetry anthology was far more than the previous generation both in quantity and scale during the Qing Dynasty. To explore the reasons for its prosperous, I think that mainly due to the growth of Female Writers Group in the Qing Dynasty, the support of well-known scholars on the creation and selection of women's poems and overall enhancement to the quality of women poetry. These women's anthologies clearly reflected three characteristics of women's writers Group of Qing Dynasty namely, regional, familial and dependency. In addition, by means of the compilation and interpretation in Qing women's poetry anthologies, we can also get a glimpse of the conditions of female poetics under the guidance of male poetics in the Qing Dynasty.

參考文獻


王艷紅(2006)。明代女性作品總集研究。上海師範大學。
黃秩模:《國朝閨秀詩柳絮集》,咸豐三年(1853)刊本,黃傳驥<序>,頁1上。
胡孝思、朱珖(評輯):《本朝名媛詩抄》,康熙五十五年(1716)凌雲閣刊本,胡孝思〈序〉,頁1上。
汪啟淑(輯):《擷芳集》,乾隆五十年(1785)飛鴻堂刻本,沈初<序>,頁1上。
胡文楷(2008)。歷代婦女著作考。上海:上海古籍出版社。

延伸閱讀


國際替代計量