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試論日治時期來臺福州班的劇種問題

Types of Opera Performed by Fu-zhou Troupes in Taiwan during the Japanese Occupation

摘要


本文主要討論「治時期來臺福州班的劇種問題。因清末民初「劇種」一詞尚無明確的界義,戲班演出也普遍有諸腔合演的情形。在考察歷來文獻資料後,認為早期來臺福州班雖為知名之徽班,卻當有閩滬演員同臺、京徽劇種合演的現象,故而有著「福州京班」的內涵。據此同意京劇在臺演出始於劉銘傳時期的說法,推論1880年代末臺灣應當已有京劇的演出,逐漸於1890年代形成好尚京劇的風潮,在觀眾群逐漸擴大的情形下,為日治時期的商業劇場演出奠下了基礎。爾後福州當地徽班凋零、福州戲興盛,使1923年後來臺之福州班確屬「福州戲(閩劇)班」,然而福州戲在臺灣仍有使用官音演出的蛛絲馬跡,戲班亦有演出京劇的紀錄,而福州戲的武戲均傳承自京劇,在與「京劇」的關係密切的情況下,終使「福州京班」說法被沿用下來。

關鍵字

日治時期 劇種 福州班 臺灣京劇 閩劇 徽戲

並列摘要


This paper discusses mainly what jü-zhong (types of opera) the Fu-zhou Ban (troupes of Fu-zhou) performed in Taiwan during the Japanese Occupation. Not until the mid-20(superscript th) century was the term jü-zhong clearly defined, and at that time, zhu-qiang he-yan (troupes giving performances of different dramatic genres) was quite common for troupes. Based on investigation into literature and historical sources, I find that the Fu-zhou Ban which came to Taiwan in the early Japanese Occupation actually showed the traits of Fu-zhou Jing-ban, which means they performed Peking Opera because actors from Fu-zhou and Shanghai performed together, and Peking and Hui Opera were presented on the same stage. Accordingly, I propose that Peking Opera made its first appearance in Taiwan during the period when Liu Ming-chuan was the Governor, further inferring that in the late 1880s there should have been performances of Peking Opera, with a trend formed in the 1890s, which formed the basis of commercial theater later during the Japanese Occupation as the viewers gradually increased. Afterwards, troupes performing Hui-xi (Hui Opera) withered in local Fu-zhou while Fuzhou-xi (Min Opera) thrived, and so the Fu-zhou Ban coming to Taiwan after 1923 were Fu-zhou-xi troupes. However, there were still traces about Fu-zhou-xi performed in manderin then, and the troupes did have records of performing Peking Opera. Moreover, the martial performances of Fu-zhou-xi were all inherited from Peking Opera. It is with these close connections with Peking Opera that the term Fu-zhou Peking Opera Troupes is accepted and adopted.

參考文獻


中國戲曲志編輯委員會(1993)。中國戲曲志‧福建卷
王元穉。夜雨燈前錄續錄
竹內志(1943)。臺灣演劇誌
吳毓琪(1998)。臺灣南社研究
呂訴上(1961)。臺灣電影戲劇史

被引用紀錄


許書惠(2009)。從《水竹居主人日記》看日治時期常民生活中的演藝活動〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://doi.org/10.6835/TNUA.2009.00030
林以珞(2010)。古廟宇新價值:日治中期張麗俊主導下豐原慈濟宮的修築意義〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2010.00780
曾子玲(2014)。台南地區民間京劇活動之研究〔博士論文,國立中央大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0031-0412201512030306

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