從報載史料論日治時期臺灣歌仔戲的接受歷程

The Study on Accept Progression of Taiwanese Opera during the Japanese Occupation by News Historical Data

林永昌(Yung-Chang Lin)

《崑山科技大學人文暨社會科學學報》 3期 (2011/09) Pp. 91-153

https://doi.org/10.29923/KSHSS.201109.0006

摘要

臺灣歌仔戲於1910年代出現後，雖然「以島語唱唸，觀泉易曉」，深為庶民大眾所接受；但是部分知識分子時常投以「淫戲」、「淫齣」與「敗壞風俗」之類的權伐。1926年之後，報紙上負面批判之聲雖然持續不斷，但是正面支持、認同或緩頰的言論亦逐漸增多；此外，因為批判聲浪過大而消失於迎神廟會的車鼓陣與歌戲陣叉重回遶境隊伍行列、公部門舉辦活動請歌戲團助興以及歌仔戲唱片開始普遍流行等現象，在在顯現出臺灣社會上對歌仔戲的接受層面正不斷地擴大；而當文化推行委員會的人員也出面主辦歌仔戲的演出時，本文認為臺灣歌仔戲已完成在臺灣社會的接受歷程。

關鍵字

日治時期 ； 歌仔戲 ； 歌仔戲接受史

並列摘要

The Taiwanese Opera had been on the-upgrade in 1910s. It was performed in Taiwanese and rapidly became the most popular throughout Taiwan, mean while it had drawn sterner criticism from the intellectuals. They called it a salacious drama, a bawdy play and a lascivious performance etc.. In 1926, someone made an appeal to the public for Taiwanese Opera and suggested that the intellectuals should gave it fair comments. After 1928, the stricture had been seen on the newspaper continually, but fair comments had been appearing increasingly. Until the troops of meeting a distinguished god invited Taiwanese Opera, and officers invited it for entertainment, we believe it would become more and more popular. While the member of the Cultural Promotion Committee had managed a Taiwanese Opera performance, the recognition of Taiwanese Opera by Taiwanese has be granted during the time of Japanese Occupation.

並列關鍵字

Taiwanese opera accept history ； Taiwanese opera ； Japanese Occupation