功能，功能，與一點點象徵－1980年代之後台灣建築師的現代性營造與潘冀建築師事務所

Function, Function, and a little Symbolic: The Modoernity Building of Taiwanese Architect after 1980s and J. J. Pan and Partners

夏鑄九(Chu-joe Hsia)

《城市與設計學報》 21期 (2014/09) Pp. 41-61

https://doi.org/10.30008/CD.201409_(21).0003

摘要

本文關心1980年代之後，台灣的新工業地景的塑造，與潘冀建築師事務所做為代表的現代建築師專業角色與空間象徵的意義。作者首先由全球都會網絡的角度，說明台灣的建築師做為城際網絡間流動者的全球建築師角色。然後，面對全球高科技生產空間的台灣劇本場景，以詳細的經驗資料討論潘冀建築師事務所的專業表現與數量龐大的高科技廠房設計，以及，其它的學院與機構設計。最後，作者提出功能，功能，與一點點象徵做為結論，這就是1980年代之後台灣的現代性營造。對照於做為文化明星或是自以為是形式給予者的建築師言，潘冀建築師事務所，可說是台灣的現代建築師在1980年代之後的最佳代表。台灣西海岸，尤其是北台都會區域，在1980年代後，成就為全球都會網絡裡的越界電子生產基地。以潘冀建築師事務所為代表的建築師，是在這個新工業空間的形構過程中，它們是提供生產空間的專業建築師。潘冀，做為建築師，當然不滿足於高科技工廠的設計，於是，以人的考量做為機器的軟化劑，而沒有選擇後現代轉向。這也是現代論述的空間化，一種社會秩序的空間化（thespatialization of social order）的台灣版本。現代建築與都市設計論述加上一點環境心理學，一點儒家精神，一點教會對執行所需的信念堅持，以空間的再現與表徵（representations of space），完成台灣版本的現代空間管造與現代性建構。潘冀建築師事務所鎳敢在台灣電子產業的全球越界生產與流動的脈絡中，生產空間（高科技廠房）的功能要求與空間生產的機械隱喻的尷尬，存在建築作品象徵的內在深處。這種相互依存又相互敵對的辯證關餘，是建築師的內在矛盾，也是1980年代後台灣的現代性營造。

關鍵字

現代建築 ； 現代建築師 ； 現代性 ； 新工業空間 ； 高科技工業廠房 ； 潘冀建築師事務所 ； 台灣

並列摘要

The paper pays attention to the shaping process of the new industrial landscape in Taiwan after 1980s and the professional role and its sptatial symbolic meaning of the modern architect represented by J. J. Pan and Partners. At first, the roles of the global architects as the global flows in the intercity networking of Taiwanese architects are elaborated in the perspective of the global metropolitan networks. Then, facing the scenario of the global high tech production space in Taiwan, the paper deals with the professional performance of J. J. Pan and Partners and the huge amount of design projects of high-tech plants and the other academic and institutional designs through detailed empirical data. Finally, the author concludes as ＂function, function, and a little symbolic＂. This is the building of modernity in Taiwan after 1980s. To Contrast to the cultural stars or the form-giver architects who consider themselves in the right, J. J. Pan and Partners could be considered the best representative of modern architect in Taiwan after 1980s. After 1980s, the west coast of Taiwan, especially the northern Taiwan metropolitan region, has become the cross-border electronic production site in global metropolitan networks. J. J. Pan and Partners as a representative architect, provides production space as a professional architect in the constitution of the new industrial space. As an architect, Joshua Jih Pan of course unsatisfied with high-tech plants design. He didn't choose the post-modern turn but to soften the machine through human consideration. This is the spatialization of modern discourse, the spatialization of social order of Taiwanese version. The discourse modern architecture and urbanism adds a little environmental psychology, a little Confucius spirit, and a little integrity in implementation from Christian church, which accomplishes the building of modern space and the constitution of modernity of Taiwanese version through the representation of space. The embarrassment between the functional requirements of production space (high-tech plants) and the machine metaphor of space production exists in the deep of the symbolic expression of the architectural projects of J. J. Pan and Partners and their embedded context of the global cross-border production and flows of Taiwanese electronic industry. The interdependent and oppositional dialectical relationships are the internal contradictions and the building of modernity in Taiwan after 1980s.

並列關鍵字

modern architecture ； modern architect ； modernity ； new industrial space ； high-tech industrial plant ； J. J. Pan and Partners ； Taiwan