新瘟疫再次改變人類的生活樣貌,是以,如此瘟疫魔幻之感居然與人類的現實如此靠近。台灣作家吳明益先生於2011年以類似南島語族遷徙的魔幻文字書寫,創造小說《複眼人》,故事發生在寫實的台灣當代,意即古今撞擊,並雜揉描寫了人類與大自然的掣肘之現世背景。至2020年乍現新冠肺炎(COVID-19)肆虐全球,臺中國家歌劇院將《複眼人》於隔年2021搬上舞台頗有警醒之鳴,亦即是本論文撰寫之開端。時間倒退至大航海時代,歐洲人遷徙到中南美洲帶去病毒,使當地種族滅絕。並且殖民讓當地的文化產生質變,後來遂誕生滋長「魔幻現(寫)實主義」之文學土壤。本論文之文獻探討將簡述「魔幻現(寫)實主義」之定義,並由馬奎斯先生所著《百年孤寂》,互應對照。另外,文本《複眼人》小說所鋪陳之南島語族文化、閩南或台灣鄉野軼事,亦將於文獻探討中整理分析。接下來,本論文研究方法和創作執行篇章,綜合文獻羅搜的概念,將《複眼人》中最富有魔幻色彩的角色「阿特烈」,具體使用台灣原住民達悟族的著衣褲型語彙,對其進行創作身上之物件。並藉此思索系統,鍥中本論文命題「魔幻寫實小說中之魔幻物件現實化」做結,且予以建議可能之影視造型、商業設計的前導發想參考。
The new plague changes the appearance of human life. In the novel "The Man with Compound Eyes" written by Mr. Wu, Ming-Yi in 2011, the magical depiction describes the contemporary background of the constraints between mankind and nature. When we observe the worldwide ravage by COVID-19 in 2020, suddenly we realize how close the magical realism and the reality are. In 2021, the National Taichung Theater changed the "The Man with Compound Eyes " into a script and performed it. This is the beginning and why I wrote this thesis. This thesis discusses the definition of "Magic Realism" and reflects it on the novel "One Hundred Years of Solitude" by Gabriel García Márquez. In addition, the Austronesian culture and Taiwanese folklore in the novel "The Man with Compound Eyes" are analyzed in the thesis as well. To follow above, regarding the chapters of research methods and creation execution, they hit the proposition of my thesis: "Realization of Magical Objects in Magical Realistic Novels" by studying the most magical role in the novel, "Atile'i" and his wearing an object of "Tao" thong, which uses the knitting style from Taiwan aborigines or Austronesian.