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紀實攝影的源流與演變初探

Preliminary Investigation into the Origin and Evolution of Documentary Photography

摘要


作者從眾多有關紀實攝影的文獻書籍中,分析紀實攝影的源流以及演變的兩個面向,以及綜合許多學者研究攝影史的成果,釐清「紀實攝影」的基本概念與特徵,期待各地攝影、藝術相關學術界,在討論「紀實攝影」概念上,不再只是在名詞文義上或定義上重點討論,應該多關注及研究新時代的攝影師及藝術創作者,在拍攝「紀實攝影」作品時所呈現的各種新紀實攝影概念,了解年輕攝影創作者的創新觀念,能真實接受時代進步而變化多端的創作方式和影像後製技術,以及持續關注「紀實攝影」的持續演變過程和在社會上的影響力。

並列摘要


Through extensive research into the literature and books about documentary photography, the author analyzed the origin and evolution of documentary photography and, by reviewing scholars' achievements in the history of photography, clarified the fundamentals and characteristics of documentary photography. The author hoped that academic discussions on documentary photography in the fields of photography and arts could go beyond the terminology and definitions. Emphasis should be placed on new photographers and art creators, new concepts of documentary photography demonstrated in the process of filming documentary works, understanding of young photography creators' innovative ideas, and genuine acceptance of the variable, diverse approaches to creation and visual postproduction as a result of technology advancement. Continuous attention must be paid to the constant evolution of documentary photography and its influence on society.

參考文獻


人本教育基金會(2012)。人本教育札記。人本教育札記雜誌,9,90-98。
吳逸驊( 2016 )。「 實體展示 」 是線上展廳的解法 , 還是促使產業思考數位競爭力的契機https://artouch.com/views/review/content-12375.html
吳逸驊( 2016 )。 張照堂專訪 ─ ─ 攝影書不僅是一本書 。 報導者 The Reporter 。https://www.twreporter.org/a/photo-interview-chang-chao-tang
阮義忠(2016)。攝影美學七問。臺北:有鹿文化。
林志明( 2003 )。 紀錄攝影與紀錄風格 。 科技部 2000 年西洋藝術史研究推動專案計畫。http://web.ntnu.edu.tw/~sstzeng/arthistory/articals_sct_1.htm

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