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  • 學位論文

「記憶‧顯影」-照片圖像與意象再現的創作研究

“Memory and Developing”—A Creative Study of PhotoImages and Imagery Recurrence

指導教授 : 王瓊麗
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摘要


本研究從自我的生活圖像出發,借由此一媒介來探討過去、現在與未來之間記憶的存續,透過影像的再製呈現及還原當下的人、事、物、地,並一如歷史般的經由繪畫作為連結刻劃出過往的視覺經驗,引發人們曾經共同存在的真實感。誠如康德所言:「美是愉悅的表現」,由此來闡明藝術無論是貴賤或貧窮、主觀或是客觀的表明人的思維意志,圖像確實能為我們創造出美好的普世價值 在創作作品中,將孩提時代的人物圖像,輔以攝影美學所呈現的照片場景,運用寫實主義繪畫理論基礎,視覺圖像的象徵主義,以及心理學上的移情作用透過生活中的物品,經由現代藝術的表現手法進行對照、挪用、拼貼,將我們生活上的林林種種,隱含在不斷逝去的記憶裡,猶如蒙太奇的剪輯手法,使超現實的慾望更顯真實與甜美。 從台灣早年的生活型態中,發掘民間藝術起,讓擁有這塊土地的人們體認到文化的傳承與創造是一脈相傳的,而裝飾藝術與色彩的試煉為得尋求更多元的創作方向。而「記憶‧顯影」-挪用舊照片來再現心意象的創作研究,正是喚醒著我們曾有過的美好時光、不帶批判與芥蒂的單純信仰。

關鍵字

圖像 寫實主義 再現 挪用 拼貼 裝飾藝術

並列摘要


Starting from one’s own photo images of living as the medium, this study is aimed to explore the existence and continuance of memory among the past, present, and future. Through image reproduction, people, events, objects, and places at the moment are exhibited and restored; in a history-like way, through drawings and paintings as links, past visual experiences are engraved, arousing the real sense of people once being together. No matter what the social status is, how much wealth we have, or how we argue people’s ideas and will, images are capable of creating a beautiful universal value. Art is really like what Kant explains, “beauty is a representation of the feeling of pleasure.” In the works, figures in the childhood are aided with photographical scenes, realism theory in painting, symbolism in visual arts, and psychological transference; objects of living are juxtaposed, appropriated, and collaged with modern artistic methods; miscellaneous things in our life are hidden in passing memory. All of which, as if montage editing, foregrounds the sweetness and genuineness of surrealistic desires. By discovering folk arts in the early lifestyles of Taiwan, these works let people on this land realize that 1) the inheritance and creation of culture is on the same route; that 2) Art Deco and the experiment of colors are intended to seek multiple ways of creating works. This creative study “Memory and Developing” about appropriating old photos and reappearance mental imageries is exactly a simple belief, without any criticism or complex, awakening those beautiful hours that we had before.

並列關鍵字

images photography realism representation collage Art Deco

參考文獻


15.張純櫻 (2002):《藝術學報第七十一期,解讀維梅爾的「畫中畫」》。
3.Roland Barthes著 許綺玲譯 (1997):《明室•攝影札記》。台北:台灣攝影工作室。
2.劉聖秋 (2002):《七○年代台灣鄉土美術之研究》。屏東師範學院視覺藝術教育研究所碩士論文
中文書目
1.何上恭 (1983):《兩宋名畫冊》。台北:藝術圖書公司。

被引用紀錄


張鳳詩(2012)。歷史顯像〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-1008201215365500

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