論《姑妄言》中女性形象及其悲劇意識

A Review of Women's Image and Tragic Consciousness in ＂Gu Wang Yan＂

張靜儀(Ching-Yi Chang)

《輔大中研所學刊》 18期 (2007/10) Pp. 117-132

https://doi.org/10.29444/JGICLDFJCU.200710.0006

摘要

清代曹去晶所寫《姑妄言》被收入艷情小說叢書《思無邪匯寶》中，以反映現實社會和人情世態為敘寫重點。本文將藉由分析書中主要女性形象，探討文本中的悲劇意識。第二節先闡述本文所界定的悲劇意識與《姑妄言》中散發出的普遍悲劇情感。第三節從內容的對話情節中，將《姑妄言》的女性形象區分成四類：才女型、縱欲型、悍婦型、卑弱型。第四節則分別探究其呈現出的悲劇意識：是婚姻的自主追求不敵錢欲名利；思想的解放成為罪惡的報應；挑戰男權終究退回次等位置的原點；階級的束縛扼殺了女性的青春。從以上可得出，《姑妄言》中的悲劇意識透過女性角色，是偏向平凡人物而帶有同情憐憫的陰美柔婉風格。

關鍵字

古典艷情小說 ； 《姑妄言》 ； 女性形象 ； 悲劇意識

並列摘要

＂Gu Wang Yan＂ wrote by Cao Qu-jing of the Ching Dynasty is included in the amative novel series of books of ＂Si Wu Xie Hui Bao＂. The focal point of this book is to reflect the realistic society and what humans do of the world. This text will treat about the tragic consciousness by analyzing the main women's image in the novel. Section two defines the tragic consciousness of the text, and explains the general tragic emotion in ＂Gu Wang Yan＂. Section three distinguishes women's image of ＂Gu Wang Yan＂ into four kinds from the dialogue and plot of the content: the type of pretty and capable woman, the type of lustful woman, the type of jealous and fierce woman, the type of meek and mild woman. Section four discusses the tragic consciousness demonstrated from the women's image: Women pursuing the independent marriage are defeated by other people desiring for the money and power; The liberation of thought of women becomes the crime and retribution; Women lose the right and return to the second-class position eventually; Women sacrifice their youth for constraint on the class in society. It is discovered from what is above-mentioned that the tragic consciousness in ＂Gu Wang Yan＂ is the description of ordinary people and the style of pity and sadness.

並列關鍵字

classical amative novel ； ＂Gu Wang Yan＂ ； women's image ； tragic consciousness