論吳晟現代詩中的河流意象

本文以空間理論分析吳晟現代詩中的河流意象。首先，以「地方感」的建構切入，探討時間的隱喻，與農人的歲月之連結；與河流作為家鄉圖像之構成要件時，對於農村景緻的再現；分析「地緣情結」與親情的繫連。探索吳晟詩作將「空間」轉化為人文地理學所謂的「地方」時，所運用之文學手法，從而展現出人對於鄉土的認同；再者，關切實際的地景書寫，從河流的多重形象展現，關切到河流在文學作品中的「受害者」形象，連結到詩作中對地景破壞之記錄與控訴與吳晟所實際參與的社會運動，顯現詩人對於土地、人民的關懷，與從政治場域到文學場域的活動特徵。從外在的物象到詩人自我內在的心靈探索，建構詩作中的意識軌跡與所帶出的思想內涵。

關鍵字

吳晟；河流意象；地方感；地景

並列摘要

The article analyzed and probed the river image, with ＂spatial＂ theory, of Wu's modern poetry. Starting from the construction of the metaphor of time and the connection between years and peasants explore with the ＂sense of place＂. Taking the river as the essential component of the image to the motherland for the reappearing countryside analyzes the link between ＂geographical complex＂ and affection of the family. Exploring Wu's method of artistic technique of literature which converted the ＂space＂ to the ＂local＂ called by the Human geography show people's identification with the countryside. Furthermore, concerned about actual landscape writing from the multifaceted impression presenting and the ＂victim＂ impression in literary works of the river linking to the recorded and complained of the destruction of the landscape in the poems and the social movements that Wu participated in reveals the poet's care for the motherland and people and the characteristics of activities from the political to the literary field. In the article, we construct the consciousness trajectory in the poems and the thought connotation brought out from the explicit impression of the inner self to the implicit spiritual exploration of the poet's mind.

並列關鍵字

Wu-Sheng ； River Image ； Sense of Place ； Landscape

主題瀏覽