人稱視角和無人稱句在文藝作品中的美學運用－以高行健和布寧作品為例

The Narrative Point of View and Impersonal Category in the Literary-On the Materials of Artistic Works of Gao Xingjian and Bunin

鄭盈盈(Yin-Yin Cheng)

《淡江外語論叢》 19期 (2012/06) Pp. 190-214

https://doi.org/10.29716/TKSFLL.201206.0009

摘要

人稱視角及其變化涉及文本敘述觀點和作者及人物間心理距離關係，歷來在文藝作品中被廣泛運用。俄文中，除人稱指示範疇外，並具有特殊的無人稱句，該範疇在指示功能方面，較難界定敘述觀點及人我、環境之間的清楚分際。本文試呈現人稱視角以及無人稱句於文學作品中之運用，其和作者（敘述者）、人物、讀者之間的心理距離關係以及所塑造之敘述美學。

關鍵字

人稱視角 ； 無人稱句 ； 敘述視角 ； 心理距離 ； 高行健 ； 布寧

並列摘要

Personal pronouns have relationships with the narrative point of view and psychological distance between the author (narrator) and characters, so they are widely used in the literary and artistic works. Besides, there is impersonal category in Russian, which structure is more difficult to define the narrative point of view and the clear distinction between figures and the environment. This paper compares the two kinds of areas, their functions in the works of Chinese and Russian writers- Gao Xingjian and Bunin. Attempt to find out the effects of different language styles by using the personal and impersonal categories and the psychological distance between the author, (narrator) and characters.

並列關鍵字

personal categories ； impersonal categories ； narrative point of view ； psychological distance ； Gao Xingjian ； Bunin

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