從民族戲曲學論臺灣傳統戲曲的實驗－以《八月雪》為例

On the Experiment of Traditional Theatre in Taiwan through Ethnoscenology-Using August Snow as an Example

李湘琳(Xiang-Lin Li)

《臺灣戲專學刊》 11期 (2005/07) Pp. 269-308

https://doi.org/10.7021/PAJ.200507.0269

摘要

本文主要論析臺灣傳統戲曲與諾貝爾文學獎得主高行健戲劇創作觀在「東方現代歌劇」，《八月雪》的實驗；從民族戲曲學(Ethnoscenology)的研究方法與觀點，說明當代臺灣傳統戲曲的發展與表演藝術的中西融合。並從幾個不同的研究方向，針對2002年高行健在國立台灣戲曲專科學校附設國劇團與國立國光劇團的共同創作《八月雪》一劇的導演方法與表演內容和舞台呈現，來探討其藝術要素和創作觀。

關鍵字

民族戲曲學 ； 導表演法 ； 東方現代歌劇 ； 臺灣傳統戲曲 ； 中性演員

並列摘要

This paper aims to analyze the creative views of Taiwanese traditional theatre and Gao Xingjian, the Nobel Prize winner, reflected in his ”modern Oriental opera”, August Snow. The contemporary development of the traditional theatre and the mixture of Eastern and Western performing Arts will be scrutinized by the theory of Ethnoscenology. Simultaneously explored are the practices of directing, content of performance, and stage presentation embodied in the production of August Snow, which was co-produced by Gao Xingjian, the Theatre Troupe of Chinese Opera belonging to National Taiwan Theatre Academy and National Kuokuang Theatre Troupe in the year of 2002 to reveal its artistic elements and creative views

並列關鍵字

Ethnoscenology ； Methods of directing and performance ； modern Oriental opera ； Taiwanese traditional theatre ； neutral performer

參考文獻

J. L.斯泰恩著、劉國彬譯(2002)。現代戲劇理論與實踐(1)、(1)、(3)。北京:中國戲劇出版社。

馬丁•艾思林、華明譯(1992)。荒誕派戲劇。北京:中國戲劇出版社。

貝.布萊希特著、丁揚忠譯(1992)。布萊希特論戲劇。北京:中國戲劇出版社。

于是之(1997)。演員于是之。北京:北京十月文藝出版社。

王瑤(1995)。現代文學的民族風格問題。北京:北岳文藝出版社。