津島佑子論―被重新探討的「日本近代史」與「家族」―

2008年作家津島佑子所發表的『太過野蠻的』，是從2005年的現代重新捕捉台灣受日本殖民地統治時期之記憶的作品，對於發生在1930年的霧社事件，要如何以日本女性的觀點來加以描寫傳承呢？將此一問題予以具現化。關於本作品中「以女性重新探討國族歷史（national history）」的此一問題，已有吳佩珍所做的先行研究，筆者也曾著眼於「動搖國族歷史的女性」為「繼承『父親記憶』的女兒」此一形象塑造發表過小論。本論文嘗試將此問題重新放入津島文學整體當中，並作更進一步的考察。尾形明子曾指出，對於有著作家‧太宰治作為父親，而在2歲時便失去此父親的津島佑子而言，「不斷追尋著記憶中所沒有的父親」形成了其「文學核心」此點，然而在如此的津島文學中，當「日本近代史（正史）」被重新探討時，「家族」的問題在其中會有著怎麼樣的關連，又會突顯出怎麼樣的問題呢？

關鍵字

『太過野蠻的』；『跑在山裡的女人』；日本近代史；家族；繼承「父親記憶」的女兒

並列摘要

In 2008, Writer Yuko Tsushima published the book, ”Much too Brutal,” which recaptured the memory on Taiwan under Japanese Colonial Period from the modern time in 2005. How does the writer will portray and inherit the Wushe Incident that took place in 1930 from the perspective of Japanese Female? This issue is given specification therein.Regarding the issue on ”A new discussion on National History from a Female's perspective” described in this work, the prior study done by Wu Pei- Chen, also published an article, with an image on ”Daughter inherited 'Father's Memory'”, based on ”Female who shakes the history.”This paper attempts to put back the issue into the Tsushima Literature collection with further study. Akiko Ogata once suggested that due to Yuko Tsushima lost her father, Osamu Dazai, who was a famous, when she was only 2 years old, she ”constantly pursue the father whom she never had in memory.” Such experience then forms her ”Literature Core.” Nonetheless, when a new discussion is conducted on the ”Modern History of Japan” within the Tsushima Literature, what kind of association does Family have within? What kind of issues will be highlighted?