現代舞創作的解構精神－在結構與結構之間

後現代主義刻意破除結構主義者的框架，企圖使解構與結構二者形成異質場域，帶有模糊、含混的特點，不如結構主義式的明確、清晰。由於後現代舞創作不講究敘事、抒情，而重視某種意義的綜合性傳達，所以，對於後現代舞蹈的詮釋並不適合以結構主義式的分析方法來進行，若執意如此，很可能又將後現代舞蹈給結構化了。本文將試圖以後現代的解構理論來探討筆者的現代舞創作中的解構精神，這是一種在結構與結構之間遊戲的自由精神。其舞蹈動作本身就是意義的擴展與延伸，對於後現代舞創作的詮釋，首先應以自由的心態來詮釋作品，也就是以遊戲式的、非結構式的言述方式來進行，唯這樣的深度經驗探究是困難的，難以言述的！本文研究結果：1.在筆者的創作中，其本源有著強烈的內心情意存在，而動作本身都蘊藏著被解構的意義，意義也是隨機而變的；2.在結構與結構之間隨機性的遊戲，是筆者創作新意義之所在；3.對於「藝術表現力」，創作時的「解構力量」是強大的，破除習慣性的結構，釋放了平時難以感受與覺察的能量。

關鍵字

解構；現代舞創作

並列摘要

Deconstructionism applied in post-modern dance creation purposely seeks to break the clear structure of Structuralism in order to create a new genre, one that is somewhat vague and ambiguous. It is not appropriate to apply Structuralism in analyzing post-modern dance because the emphasis of post-modern dance is on comprehensive communication instead of narration or lyricism. Insistence to do so may well result in structuralizing the post-modern dance. This thesis intends to analyze my choreographic works applying the spirit of Deconstructionism in the post-modern era -- a spirit that plays freely among the structures. An open-minded attitude, playful and non-structural, is necessary when interpreting post-modern dance creation. Probing the experience of dance creation in depth is often difficult to describe in words because the intended meanings often lie in the extension and expanding of movements. The results of this research include: 1. In these works, the intention of deconstruction often found in movements, yet the motifs contain strong feelings, meaningful thoughts, and open interpretations. 2. The new meaning of my works springs from utilizing a changeable, game-like approach when manipulating the structure of the work. 3. In dance creation the artist's expression of deconstruction is powerful, with the purpose of breaking customary rules and releasing the energy that is otherwise hard to discern.