以表演爲中心－對王國維戲曲史研究的一種觀察

Featuring the "Performance": An Observation to Wang Guowei's Research on the History of Chinese Opera

郭瑩(Ying Guo)

《東方人文學誌》 7卷1期 (2008/03) Pp. 233-250

https://doi.org/10.6389/OH.200803.0233

摘要

王國維是中國戲曲史研究的開山人物，他第一次用科學的方法將中國的戲曲史研究納入到現代學術的框架之中，在研究觀念上給後人極大的啓發。本文重點討論王國維戲曲史研究的系統性及其對於表演主體的深層關注，並揭示王氏研究方法中初步的人類學意識。

關鍵字

王國維 ； 戲曲史研究 ； 表演 ； 人類學意識

並列摘要

Wang Guowei is the founder of the field of historical study in Chinese opera with modern academic views. By absorbing the theory of philosophy, anthropology and psychology, Wang greatly expanded the topics in this domain and enlightened the later scholars carry on the research within the boundary of modern scholarship. Compared to the previous scholarship, Wang's multidisciplinary exploration circled the definition of Chinese opera he suggested as ”showing the story by dancing and singing”. In this conception, performance and its subject human are highly concerned, which distinguished Wang's achievement from the early studies. This paper will analyze the characteristics of Wang's research in Chinese opera history with the emphasis on the systematic order of his entire study. Another discussion on the inner anthropological view manifested in Wang's works will reveal the significance of his discovery in Chinese intellectual history.

並列關鍵字

Wang Guowei ； historical Study ； Chinese opera ； performance ； anthropological view