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《文心雕龍》與《抱朴子》文論

"The Literary Mind and the Carving of Dragons" and "Pao Pu Tzi"'s Literary Theory

摘要


本論文目的在探討劉勰和東晉葛洪文論的密切相關性,並深入比較其異同之點,以窺知我國古典文論在魏晉南北朝的承傳與開展。所據原典以《文心雕龍》和《抱朴子》為主。全篇分九節,除前言、結語之外,復針對「重視立言垂教」、「文章與德行並重」、「貴愛文采」、「提倡用字平易」、「揭示運材原則」、「建立文學鑑賞理論」,乃至於「其他觀點」多方比勘;經過驗證,確知劉勰參酌葛洪的觀點,同時又能建立自己的文學理論體系。

並列摘要


This paper deals with the two correlated literary theories of Liu Xie and Goa Hung, and the comparison between the two masterpieces to examine the tradition and the development from Wei-Tsin Northern ans Southern Empires (AD. 265-589) to Tang Dynasty. Mainly I will dissuss the two major works on ”The Literary Min and the Carving of Dragous” and ”Pao Pu Tzi”. The nine sections include the introduction and conclusion, and ”Emphasis on the Instruction of Word.”, ”Literature and Morality”, ”Treature of the Talent”, ”Simplicity of Wording”, ”The Principles of the Raw Materials”, ”Building the Evulation and Appreciation of the Literary Theory.” After my comparison and cross referrences, Liu Xie did adopt and appropriate Goa Hung's positions and give rise to his system of literary theory.

參考文獻


王更生(1996)。劉勰是個什麼家。北京大學學報:哲學社會科學版。2,86。
抱朴子
論衡
文心雕龍校釋
典論

被引用紀錄


陳秀美(2012)。《文心雕龍》「文體通變觀」研究〔博士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2012.01009
兵界勇(2005)。唐代散文演變關鍵之研究〔博士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2005.00921
張娣明(2008)。魏晉南北朝詩學研究〔博士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-0804200910230798
陳鳳秋(2011)。《文心雕龍》理論在高中國文範文教學之應用〔博士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315232586

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