析袁枚《隨園詩話》的詩論趣向與侷限

Analyzes the Reference and Limited of the Poetics of Yuan Mei ＂Sui Yuan Notes on Poetry＂

簡文志(Wen-Zhi Jian)

《真理大學人文學報》 10期 (2011/04) Pp. 19-36

https://doi.org/10.29962/TOJA.201104.0002

摘要

袁枚存詩四千餘，與趙翼、蔣士銓並稱乾隆三大家。繼明公安、竟陵振起，詩風大抵能應和性靈，別趣於傳統之外，以性靈說直承晚明袁宏道「獨抒性靈，不拘格套」，不擬不仿，以真情率性、自然純新為標榜，論詩主個性而「著我」，要求學古而不泥於古。然而，袁枚為人夸誕任我，論述衝撞禮俗，對明、清流派俱表不滿，針對尊唐崇宋提出調整，編派一套個人的詩學理論。本論文探究袁枚《隨園詩話》（涉及《隨園詩話補遺》與《續詩品》）的詩論趣向與侷限，並且對袁枚性靈說的標舉提出批評反思。

關鍵字

詩論 ； 性靈 ； 靈機 ； 妙悟

並列摘要

Yuan Mei wrote the poem 4000, with Zhao-Yi and Jiang Shi-Quan were called Qianlong three masters. Following the Ming Dynasty Kongan Group and Jingling Group, his poem can be supposed with the soul, outside the tradition, by the soul to follow Ming dynasty Yuan Hong-Dao ＂expresses the soul, try the new way of writing＂, and refused imitating, take the true feelings and the nature pure. The viewpoints of the poem, suggested individuality and personal, must study ancient but not imitated in ancient. The present paper analyzes the reference and limited of the poetics of Yuan Mei ＂Sui Yuan Notes on poetry＂, and said to the sign lifts proposes the criticism reconsideration.

並列關鍵字

The poetics ； the soul ； the inspiration ； become aware wonderfully