國際標準舞舞者意識過程分析－以Schutz現象社會學為例

A Study of Phenomenological Sociology of Schutz for Ballroom Dancing' Dancer

林幼萍(Yu-Ping Lin)

《高應科大人文社會科學學報》 5卷 (2008/07) Pp. 265-276

https://doi.org/10.29888/KUASJHSS.200807.0012

摘要

本研究試圖以敘事分析的方式進行研究，描述人的意識形成過程，探求自然界一切事務的原始本質，我們現在所接觸到的國際標準舞，也是一種國際標準舞舞蹈文化受「社會化」過程而代代相傳的活動，導致所有從事國際標準舞活動的成員，發展出一套一致的、有規律的看法與做法，另一方面，所有的舞蹈動作呈現都必須藉由人為主體，男士與女士在引導與跟隨的情境之下，由兩個完全不同的個體進行舞蹈動作的詮釋，用非語言的方式將人的想法與意念用各種動作的連結而得以表達，這是一種相當微妙的現象，舞伴間經由各自的身體感知與意識經驗，來形成各自的思考途徑與動作解讀回饋系統，然而，由於男士以及女士訊息接收與傳達的時間點與前後順序不一，因此產生了各自不同的意識過程。

關鍵字

舒茲 ； 現象社會學 ； 意識界域 ； 國際標準舞

並列摘要

The research is done by a narrative analysis method to describe the process of forming the stream of consciousness and inquire the original quality of everything in the natural world. It proclaims that all the superficial quality that is cultivated through civilization should be removed. The Ballroom dancing we encounter today is a social activity that has been passed down generation after generation. Therefore, almost all the members who are engaged in the Ballroom Dancing have developed a system that is consistent and regular in terms of values and movements. On the other hand, all the movements have to be based on the human body Both men and women hold each other and guide each other to express different concepts, feelings and motions through a non-verbal expression. This is a very delicate phenomenon by which the dancers explain the feedback system through the unique body feeling and conscious experience to form different thinking routes and movements. However, the timing and sequence for both men and women are quite different so that the processes of forming the stream of consciousness are different, too.

並列關鍵字

Schutz ； Phenomenological Sociology ； Stream of Consciousness ； Ballroom Dancing