移工、性政治、同性情慾－以臺灣紀錄片《T婆工廠》為聚焦

九零年代以後的臺灣人口有強烈的改變與浮動，外籍移民與移工的人數逐漸增多，更成為臺灣四大族群之外的第五大族群。本論文以三大核心：移工、性政治、同志情慾探討陳素香《T婆工廠》（T PO Factory）紀錄片。因飛盟工廠的積欠債務，菲律賓女性移工開始進行街頭抗爭運動，而在抗爭的過程中，拍攝鏡頭裡出現雙雙對對的同志伴侶，ＴＴ婆婆互相依偎，溫馨甜蜜，導演陳素香將其拍攝成為紀錄片《T婆工廠》，讓這個紀錄不再只是社會事件的抗爭，更是一部同性間的愛情故事。本文將指出，菲律賓與臺灣因為社會環境、宗教與教育文化的不同，產生了兩種不同的國家文化與風格，加之許多移工女同志因離開原生家庭的束縛，來到一較為陌生的環境與社會空間：臺灣，除工作之外，更自由的展演女同志情慾，也暫時放下對於傳統教條與宗教的束縛。但是在實踐與展演的過程中，又因不同人種、階級、臺灣對移工的剝削制度等受阻礙。移工這個身分在臺灣人眼中是低下階層之人，同性戀雖為性下層，但與菲律賓（原生國家）比較，臺灣更能讓這些移工女同志自在的展演其同性情慾。

關鍵字

紀錄片； T婆工廠；移工；性政治；同性情慾

並列摘要

Since 90 the population of Taiwan has a strong change and floating, foreign immigrants and migrant workers the number gradually increased, became the fifth major ethnic groups outside Taiwan in four ethnic groups. In this paper, the three core political shift work, comrade of Chen Suxiang FAMETECH for documentary. The factory of outstanding debt, Philippines female migrant workers began to protest movement, and the process of fighting, pairs of gay couples to shoot the scene, TT mother snuggled, sweet and warm, the film director Chen Suxiang will become, let the record is no longer a social event struggle. It is a homosexual love story. This paper pointed out that, Philippines and Taiwan because of the social environment, religion and education of cultural differences, resulting in two different countries and cultural style, so many moving Gongnv comrades came to Taiwan in addition to the work of the comrades more daring erotic performances, more liberated for bondage of traditional creeds and religions. But the process of practice with the performance, because of different race, class, Taiwan of migrant workers in the system of exploitation by obstacles. The migrant workers identity is lower class people in the eyes of the Taiwanese, gay although lower, but with Philippines (the original state), Taiwan can let these comrades show the shift Gongnv light of heart from care lust.