北里闌與淺井惠倫的達悟及馬蘭阿美錄音聲響研究

Research on the Tao and Falangaw Amis Recordings Collected by Kitasato Takeshi and Asai Erin

呂鈺秀(Yu-Hsiu Lu) ； 孫俊彥(Chun-Yen Sun)

《臺灣音樂研究》 6期 (2008/04) Pp. 1-30

https://doi.org/10.29785/FJMR.200804.0001

摘要

欲瞭解日治時期臺灣原住民音樂的面貌，最直接的管道是透過當時留下的有聲資料。這些珍貴的歷史錄音中，以黑澤隆朝所採錄者最為人熟知也最為完善；而早於黑澤隆朝的語言學家北里闌及淺井惠倫，也留下了為數不少的錄音，但是音樂學界至今對這批錄音的認識與研究卻仍然很少。因此，本論文嘗試以1980年代開始，日方所復原之北里闌與淺井惠倫錄音為研究對象，針對達悟與馬蘭阿美兩個族群，透過田野調查來考證此批有聲資料與文字記錄之間的關聯性，並試圖與今日所知的傳唱情況比較，來觀察此二族的音樂，在經歷了超過半個世紀的時間後可能的風格改變。

關鍵字

達悟族音樂 ； 馬蘭阿美族音樂 ； 淺井惠倫 ； 北里闌

並列摘要

The most direct way to recover the Taiwan aboriginal music during the Japanese Colonial Period is by approaching the recordings of that time. Among these historical recordings, Kurosawa Takatom's fieldwork collection may be the most famous and complete one. The linguists Kitasato Takeshi and Asai Erin also have quite a few recordings early than Kurosawa, which are still little-known and rarely researched. For this reason, this article aims to investigate the recordings collected by Kitasato and Asai-especially those regarding Tao and Falangaw Amis groups-which are restored by the Japanese research team. The first purpose is to recognize the content of these recordings through the assistance of native speakers and the related textual documents. Secondly, this article also tries to review the possibility of musical style changes of these two groups by comparing the sounds recorded over fifty years ago with the singing styles today.

並列關鍵字

Tao music ； Falangaw (Malan) Amis music ； Asai Erin ； Kitasato Takeshi