摘要
「潮州大鑼鼓」在表演形態上，從早期民間的戶外民俗遊藝蛻變成現在的室內舞台化音樂；在演奏技法與藝術特徵上，具備氣勢恢弘的擊鼓技法與複雜多變的音響效果；在傳承、記譜與學術理論上，除了原有的口傳法外，還具有許多早期的傳統樂譜，和近代較科學化與國際化的簡譜、線譜，以及為數眾多的研究性論文或書籍。具備這些條件後，潮州大鑼鼓現今已發展成為中國民間鑼鼓音樂中，一個特殊而獨立的樂種，具有重要的價值與地位。本文將針對潮州大鑼鼓的形成與發展、系統分類與源流、表演形式與藝術特徵、樂器編制與其特殊的音響效果、演奏技法與手勢動作、曲式結構與記譜方式等項目，進行分析及探究，期望能對樂界與學界提供一些相關的研究資料及貢獻。
並列摘要
The performing shapes of ”Chao-Zhou Daluoku” are keeping develop from the early folk marching arts to nowadays indoor on the stage. The performing techniques and art characteristics are having majestically drumming skills and other complex sound effects. The instruction and theory of Daluoku not only have the original oral instruction, but also have early traditional music scores and modern international numbered musical notation, staffs and books or researches. By possessing these conditions, Chao-Zhou Daluoku now become a special music form in traditional Luoku music and has important value and position. In the content will explain the ways of forming and developing, system classify and the origin, performing forms and its art characteristics, organization of instrument and its special sound effect, performing techniques, structures of music, and the ways of recording music scores. By analyze these important points, expect to contribute the research sources to music and academic communities.
延伸閱讀
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- 林佳穎（2021）。一鼓寫破諸藝通－吳昌碩《石鼓文》全臨本析探。書畫藝術學刊，(31)，37-58。https://www.airitilibrary.com/Article/Detail?DocID=a0000303-202112-202111120008-202111120008-37-58
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