以時間、空間、語義的游離鋪陳文化飄泊之感－洛夫《漂木》尋找「心靈原鄉」的形式結構

A Statement about Culture Wandering by the Drift of ''Time'', "Space" and "Meaning in Language"-The Form of Searching for Original Hometown in Luo Fu,s "Floating Wood"

呂怡菁(Yi-Ching Lue)

《花大中文學報》 2期 (2007/12) Pp. 217-252

https://doi.org/10.7000/NJCL.200712.0217

摘要

洛夫近期推出的《漂木》詩集是一部長達三千行的長篇短作，本文旨在說明《漂木》詩集在主題與表現形式上的獨到之處。《漂木》詩集主要是以遠離故土以及流離漂泊的心境作為出發，以此推陳出作者對於島嶼現實以及整個時代的感懷。由於地理的漂遊以及思想、文化的漂泊，加以洛夫慣於將哲理思考放入詩歌裡，因此《漂木》詩集在內容上呈現為多元而複合的思想型態。分析《漂木》詩集的形式結構，可以發現作者主要是運用空間、時間與語義在許多不同的現實與思想範疇的反覆游離跳躍，以此串聯出長篇巨構的形式。而這種在時空軸線上的游離以及藉助後現代「拼貼式」語言在不同範疇游離所呈現的斷裂形式，恰巧正呼應詩人在地理空間、歷史過渡以及思想文化上的漂泊徬徨之感，也充分反映出「後現代性」文化特徵傾向。在此基礎上，《漂木》詩集可謂達到內容與形式的高度協調統一，完成了長詩所能夠展現的藝術成就的極致。

關鍵字

時間 ； 空間 ； 洛夫 ； 漂木

並列摘要

The collection of poems ”Floating Wood” is a masterpiece with three thousand lines. The purpose of this paper is to explain the distinction of theme and form in the ”Floating Wood”. The ”Floating Wood” start from the feeling of wandering and roaming, and by such mood, author state the innermost impressions of Taiwan, s reality and the disorder of the present-day. For the wandering of geography, thought and culture, it also be added that Luo Fu was used to put philosophic thought into his poems, therefore the ”Floating Wood” has shown multiple sense of intension and connotation. To analyze the structure of the ”Floating Wood”, we could found that Luo Fu has used the drift and skip of ”time”, ”space” and ”meaning in language” to construct the grand form of lengthwise poetry. Such a jump on the space-time coordinate axes and the rift form depending on the splicing words, they happened to echo the wandering of geography and culture, and reflect the culture feature which inclines to the condition of post-modernity. The content of ”Floating Wood” harmonizes with its form extremely, and it complete the wonderful art achievements that the lengthwise poetry could emerge.

並列關鍵字

Time ； space ； Luo Fu ； Floating Wood