全球互動下的鄉土－論《父後七日》中民俗的生成與再現

The Local Culture under the Circumstance of Global Interaction Renaissance of Local Culture in the Movie ＂Seven Days in Heaven＂

黃俊捷(Chun-Chien Huang)

《藝見學刊》 11期 (2016/04) Pp. 61-74

https://doi.org/10.6207/ART-VISION.2016.4(11)061-074

摘要

當臺灣電影進入到「後－新電影」期間時，從「文化創意產業計劃」開始便陸續拍攝出一波以民俗文化為主軸的在地性電影。然而，這些電影既消解了全球化所帶來的同質化觀點；也鬆脫了民俗文化的既定形象，使得「後－新電影」與過去時期的電影形成極大的差異。其中2010年所生產的《父後七日》更是在原喪葬儀式裡加入了歡笑的元素，以至於令人感到驚艷，甚至成為關注的焦點。可筆者以為，「返鄉」似乎更是電影用來再現民俗文化的取向，這也表示導演從尋找議題再到生產過程，似乎早已意識到全球與在地的相互影響，並開始思考電影置身於全球化年代底下，在這些鄉土性論述當中該以什麼樣的手法再現民俗、鄉土，並涉及到什麼樣的全球議題足以產生對話的空間。因此，本文將探討導演是透過什麼樣不同的影像策略或敘事觀點，點出在臺灣文創計畫背景下所生成的《父後七日》；是如何周旋於全球/在地之間，以做出適當的回應、調解。並傳達出文化流動以及全球互動的重要價值。

關鍵字

臺灣「後－新電影」 ； 全球流動 ； 民俗文化 ； 鄉土性 ； 地方性

並列摘要

After the ＂Post-New Cinema＂ phenomenon has swept across Taiwan, the business of moving picture in this country has began to produce a series of movies that based on local cultures, yet also founded on the perspective of ＂Cultural and creative industry＂. Furthermore, these movies has not only eliminated the same cliches in this business caused by the globalization, but also loosed the stereotype of local cultures, all these qualities has made the ＂Post-New Cinema＂ create a great deal of difference against movies from the old times. Among which, the movie ＂Seven Days in Heaven＂ from the year 2010 has put various humorous characteristics within, whose main idea was the local culture of the funeral, this genius move was so bold that has made this production surprisingly fascinating. However, we think that this movie has made ＂coming home＂ the main orientation for local cultures, which means during the process of searching ideas and producing the film, the director has already considered the interaction of the globalization and the local cultures, the issue of making the renaissance of local cultures can once again take place, and the global issues that can lead to create spaces for discussion. Therefore, through this thesis, we will discuss the techniques of motion strategies and the perspectives that the director used in this film, point out the idea of the creation of ＂Seven Days in Heaven＂ under the background of the cultural and creative industries and how they linger between the local cultures and the global vision. With all these discussions, we will present a logical response and mediation, explaining the important value of culture movements and global interactions.

並列關鍵字

Taiwan ＂Post-New Cinema＂ ； global movements ； local cultures ； local characteristics