論洛夫的現代詩與李仲生抽象畫的潛意識創作

台灣一九五○、六○年代在戰後受到政治的高壓狀態，對存在產生了強烈的質疑，於是跟隨著西方現代主義運動思潮，成為當時畫家與詩人逃避現實的途徑；在這股潮流下，他們企圖在傳統中創發出新的樣貌。本文以洛夫及李仲生為主要研究對象，他們皆強調接收現代主義思潮，並以激進前衛的姿態，在當時打造了現代詩與抽象畫的黃金時期。其研究發現，戰後的現代主義文學與藝術，明顯的表現了批判的精神，試圖挖掘人們深層潛在的意識；因此，超現實主義，以純精神的自由書寫，強調夢幻與無意識的世界，便也成為戰後台灣畫家與詩人逃避現實的思考途徑。而超現實主義所提出的潛意識思維，在洛夫及李仲生的作品中，可以分析出三種潛意識創作關係即：一、潛意識對世界經驗的召喚；二、潛意識與直覺對事物投射的靈現；三、潛意識與禪意的內在精神，即是反者道之動的精神（亦即有創意的畫家及詩人對原有經驗世界反逆的精神）。

關鍵字

現代詩；抽象畫；現代主義；超現實主義；潛意識

並列摘要

Taiwan's 1950s and 1960s were subjected to political high pressure after the war, with strong doubts about their existence and following the Western Modernist movement, it became the common way for painters and poets to escape from reality. Under this trend they were attempting to create a new look for the tradition. This study takes Luofu and Li Zhongsheng as the main research subjects. They both emphasized the acceptance of modernism and created the golden age of modern poetry and abstract painting at the time with avant-garde attitude. The study found that post-war modernist literature and art clearly demonstrated the spirit of criticism, trying to dig deeper into potential consciousness; therefore surrealism, written freely in pure spirit, emphasizes the world of dreams and unconsciousness, became a way of thinking for the escape from reality by Taiwanese painters and poets after the war. The subconscious thinking proposed by Surrealism, in the works of Luo Fu and Li Zhongsheng, can be analyzed into three kinds of subconscious creation relations: First, the subconscious mind returns to the child's heart calling for the world's experience; Second, the subconsciousness and intuition cast the spirit of matter; Third, the inner spirit of the subconscious and the Zen. This is the spirit of rebellion (that is, the spirit of the creative painter and poet against the original experience of the world).

並列關鍵字

modern poetry ； abstract painting ； modernism ； surrealism ； subconscious

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論洛夫的現代詩與李仲生抽象畫的潛意識創作

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