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藝術創作者的創造認知、歷程與相關因素探究-以山海經傳音樂劇創作者們為例

The Study of the Creative Cognition, Process and Related Elements of Art Creators - A Case Study of the Musical "Mountains and Seas"

摘要


本研究的主要目的是要透過對傑出音樂劇製作人探究他們的創造性人格與創作歷程,以及利用質性資料之分析與歸納,建構一個創作的歷程模式。本文聚焦於藝術與文學領域,茲針對國立台灣師範大學《山海經傳》製作團隊進行創造歷程的研究,使用直接或間接訪談等方式對諾貝爾文學獎得主與《山海經傳》劇作家高行健、音樂總監鮑比達、視覺設計家許和捷與編舞家吳義芳等四位傑出創造性才進行創造歷程的探究,並以在旁觀察《山海經傳》製作團隊與演員,分析團隊中想法交流與激發創作的過程。本研究發現創造歷程的共同點在於:1.創作準備期長,2.大腦中都擁有龐大資料庫,3.隨意拼湊元素與想法,4.對好點子有絕佳判斷能力,不惜於丟掉壞點子。最後,本研究提出對開創作人才的創作歷程,並期望能為年輕創作人才提供重要參考。

並列摘要


The aim of this thesis was to study the creative characteristic of the musical producers and their creative processes, analyzing and generalizing the qualitative data to build up a model for creative process. The study focused on the area of art and literature, especially on the musical team from National Taiwan Normal University ("Mountains and Seas"). We interviewed the four outstanding authors directly or indirectly to explore their creative processes that include the winner of Nobel Prize in Literature, Gao Xingjian, the music director, Chris Babida, the choreographist Wu I-fang and the visual designer Shu Ho-ChiehWe. Furthermore, we observed the production team and the actors and actresses in musical, and looked into the process on how the team interacted. The team discovered that their creative processes had a lot in common: 1. Long period on of preparation phase, 2. Large database in brain, 3. Combining different elements and ideas radomly, 4. Having a lot of ideas, but getting rid of the trash by all means. At last, the study uncovered the creative process, expecting to provide significant references for young creators.

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