Memoirs of the passed seventy years was written by Gim-Seng LIM in 1976. LIM was the church music accompanist from 1907 to 1911 at Thai Ping Ching Maxwell Memorial Church in Tainan, Taiwan. As many details regarding the application of church hymns accompaniment were mentioned in the memoirs, this article is therefore set to discuss themes related to the selection of hymn tunes, transcription of sheet music and hymnbook-binding in the early period of Japanese occupation Taiwan, in particular to the ways of free interchangeable use between tunes and words in hymnbooks, the application of tonic Sol-fa notation and the extended cycling applications of hymn tunes and words in Dutch-Door-Bookbinding. By means of these themes, one can find the possibilities of alternating hymn tunes and words with hymn meter as well as opening the possibilities of further study.