博物館意義實踐中的意識形態—比較台灣總督府博物館、台北故宮博物院、蘭陽博物館

The Ideology in Practice of Meaning of Museum -- Comparison of Taiwan Governor Museum, National Palace Museum, and Lanyang Museum

楊金源(Jin-Yuan Yang)

《健行學報》 36卷1期 (2016/01) Pp. 77-97

摘要

台灣總督府博物館及台北故宮博物院、宜蘭蘭陽博物館在台灣現代博物學發展中，依序相緣於日本殖民帝國時期、大中國國族主義威權時期、及至本土意識抬頭的在地台灣等三時期。本研究問題意識在：題揭各館在當時政治語境中之建制、展衍動力，均源於滿足各該階段政治主體性及其政治意義的論述修辭。假設其創建階段對建築形式、策展內容、社會意義及文化內容的再生產與再定義的先驗設定，都表現為掌握詮釋權與意識形態等文化政治的鞏固深化。筆者以共時性比較途徑，循「意識形態」、「政治論述與社會意識動員」、「建築符碼與造型政治」、「視覺治理與文化再生產」等向度，對各指標博物館在進行意義系統建構及實踐過程所內蘊滲透於博物館治理中之意識形態特質，逐序展開檢視與批判！

關鍵字

文化政治 ； 意識形態 ； 意義實踐 ； 博物館

並列摘要

In the development of modern museology in Taiwan, Taiwan Governor Museum, National Palace Museum, and Lanyang Museum are subsequently relevant to the period of Taiwan under Japanese rule, the period of Authoritarianism with Chinese Nationalism, and the period of the rise of Taiwanese localization. The problematic of this paper: Uncovering the establishment and the motivation to develop within the political ideology at those periods among the museums above derived from fulfilling the political subjectivity of Taiwan during each of the certain stage and the rhetorical discourse in political meaning. Assuming that the deductive setting of the reproduction and the redefinition of architectural design, the contents in curation, the social meanings and the cultural contents during the established processes happen to strengthen and accentuate cultural politics, such as controlling hegemony of interpreting and ideology. The researcher uses synchronic analysis, with the dimensions includin ＂ideology＂, ＂political discourse and social consciousness movement＂, ＂architectural code and modeling politics＂, and ＂visual governance and cultural reproduction＂, to construct meaning system, and to initiate reviewing and criticizing the ideological traits within the museum governance during the process of practice toward the targeted museums.

並列關鍵字

museum ； meaningful praxis ； ideology ； cultural politics