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摘要


童話作為人類童年的詩性文學,是兒童文學的獨特體裁,是非寫實性的幻想文學。本文認為,以往對童話審美風格的概括有不足之處,綜合審美客體和接受主體兩方面考察,童話的美學風格應是奇幻美。本文具體從童話形象、童話邏輯、童話的敘事模式和敘述風格由表及裡分析了童話奇幻美的主要表現方式。文章認為,優秀童話具有永恆魅力的根本原因,在於它們在文本的各個層面展現了童話的奇幻美。

並列摘要


Fairy tale, as the poetic literature for the childhood of human being, is the peculiar genre of children's literature and belongs to the non-realistic imaginary literature. In recognizing the shortcoming in the past generalization about the aesthetic characteristics of fairy tales and taking into consideration both the aesthetic object and perceiver, it is proposed in this dissertation that fairy tales should be characterized by the aesthetic style-fantasy. This dissertation analyses in detail from the surface to the inner essence the main expressive form s of fantasy, including the images, the logic, the narrative mode and the style of fairy tales. It is held that the everlasting charm of good fairy tales is due to the display of aesthetic value-fantasy at the different levels of text.

被引用紀錄


范硯安(2014)。偽裝的概念─反派角色的空間劇場〔碩士論文,國立臺北科技大學〕。華藝線上圖書館。https://doi.org/10.6841/NTUT.2014.00610
冀文慧(2002)。幾米繪本研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1904200716471423
劉謹華(2010)。管家琪童話的自我概念書寫〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315191097
陳麗雲(2011)。幾米繪本藝術之研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315235589
范硯安(2014)。反派角色的自我認同〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-2001201522443800

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