- 期刊
- OpenAccess
儺舞〈打赤鳥〉的文化破譯─兼論「后羿射日」的神話事象
Cultural Analysis en ＂Hitting the Red Bird＂ Dance of Exorcising Demons - Also on the Myth Image of ＂Hou Vi's Shooting at the Sun＂
並列摘要
The writer opines that ＂Hitting the red bird＂dance of exorcising demons in Guichi , Anhui, is the cultural residue of the myth ＂Hou Y’i shooting at the Sun＂ in ancient times. ＂Hitting the Bird＂ is the rite of shooting at the sun. The mythology prototype of the Red Bird is the sun. Its ecotype is the quail. It is the material carrier of the mountain people's primitive spirit. The mountain people's hitting and releasing the Red Bird is based on the drive of actual benefit, to expel heat, to pray for rain, to meet the need of food, to expel fire ghost and fire spirit, to drive away disaster and evil spirits, and it also carries other myth images. At the same time, ＂Hitting and releasing the Red Bird＂ is a kind of witchcraft. The intension of the dance has the nonlogical cultural adoption of both conformity and separation, which shows the mountain people's psychological image of approach-approach conflicts and the tendency of dualism. ＂Hitting the Red Bird＂ dance of exorcising demons is the carrier of national cultural objective spirit. It conceals the mountain people's primitive psychology and demand of value in the stage of natural worship and animal worship. It embodies profound historical and cultural reality.
並列關鍵字
無資料延伸閱讀
- 齋藤正志（2017）。「竹」的「斎宮」與「月」之「皇女」－『大和物語』的『竹取物語』引用－｜＂Saigu(; a maiden in the service of a Ise shrine)＂ of ＂bamboo＂ and ＂Princess of ＂the moon -＂The Tale of Taketori＂ allusion of ＂the Tales of Yamato＂-。台大日本語文研究，(33)，49-63。https://doi.org/10.6183/NTUJP.2017.33.49
- 曾秋桂（2023）。日本文學研究融入SDGs之視點，以探究多和田葉子小說《太陽諸島》。台大日本語文研究，(45)，25-43。https://doi.org/10.6183/NTUJP.202306_(45).0002
- 李梅綺、洪維勵（2008）。原住民文化展演真實性之探討－以太魯閣布洛灣山月村表演者為例。載於景文科技大學旅運管理系（主編），臺灣地方鄉鎮觀光產業發展與前瞻學術研討會論文集（頁63-73）。景文科技大學旅運管理系。https://doi.org/10.29938/TWTOURISM.200805.0063
- 張綺芸（2016）。Creations Research on“Rudolf Arnheim’s Visual Perception Theory from Gestalt Psychology”－ The Painting Discourse of Chiyun Chang〔碩士論文，國立臺灣師範大學〕。華藝線上圖書館。https://doi.org/10.6345/NTNU202204172
- 丘慧瑩（2009）。Plot Transition from Fairyland to Secular World, an Argumentation on "The Cowherd and the Weaving Maid" Story in Operas within Ming and Ching Dynasty。民間文學年刊，(2)，117-133。https://doi.org/10.29455/MJWSNK.200902.0007