從關羽降曹至辭曹部份看《三國演義》的成書年代及版本演化（下篇）

From Surrender to Departure: The Story of Guan Yu and Its Relevance to the Dating and Evolution of the Composition of the Romance of the Three Kingdoms (Part II)

李定遠(Li Ting Yuen)

《中國文化研究所學報》 56期 (2013/01) Pp. 187-212

https://doi.org/10.29708/JCS.CUHK.201301_(56).0008

摘要

無資料

關鍵字

《三國演義》 ； 版本 ； 版本演化 ； 關羽

並列摘要

Through comparing five sections that tell the story of Guan Yu, from surrender to departure, the second part of this paper reconstructs the evolution of the Romance of the Three Kingdoms, which may be summed up in the following five points: (1) The many editions of the Romance of the Three Kingdoms may be divided into two categories: the 24-chapter edition, the 12-chapter editions, and the 120-chapter editions belong to the first category; the 20-chapter editions and the 6-chapter edition are members of the second category. Each category has its own archetypal edition, and both are derived from the archetypal edition of the Romance of the Three Kingdoms. (2) There are two sub-groups under the first category: the Jiajing renwu 嘉靖壬午 edition and its archetypal edition are of the first sub-group; the Zhou Yuexiao 周曰校 edition, the Xia Zhenyu 夏振宇 edition, and their archetypal edition are of the second sub-group. (3) The Li Zhuowu commentary edition (李卓吾評本) is derived from the Zhou Yuexiao edition and the Xia Zhenyu edition. The Zhong Bojing commentary edition (鍾伯敬評本), the Mao commentary edition (毛評本), and the Li Liweng commentary edition (李笠翁評本) are derived from the Li Zhuowu commentary edition. (4) The editions in the second category may be divided into two sub-groups: the Shuangfeng tang 雙峰堂 edition, the Pinglin 評林 edition, the Lianhui tang 聯輝堂 edition, the Yang Minzhai 楊閩齋 edition, the Qiaoshan tang 喬山堂 edition, the Tang Binyi 湯賓尹 edition, and the Yingxiongpu 英雄譜 edition belong to first sub-group; the Chengde tang 誠德堂 edition, the Zhu Dingchen 朱鼎臣 edition, the Zhongzheng tang 忠正堂 edition, the Feishou zhai 費守齋 edition, the Huang Zhengfu 黃正甫 edition, the Liguang tang 藜光堂 edition, the Eryou tang 二酉堂 edition, and their archetypal edition are members of the second sub-group. The Shuangfeng tang edition and the Pinglin edition are the archetypal editions of the various editions in the first sub-group. (5) The Yingxiongpu edition, the Tang Binyi edition, the Lianhui tang edition, the Yang Minzhai edition, and the Qiaoshan tang edition belong to two different groups in the first sub-group of the second category. The archetypal edition of the Liguang tang edition and the Eryou tang edition are quite likely derivations from the Huang Zhengfu edition.

並列關鍵字

Romance of the Three Kingdoms ； editions ； evolution of editions ； GuanYu