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摘要


廣府磚雕是嶺南傳統建築裝飾技藝中三雕(木雕、磚雕、石雕)的重要組成部分,與北方、江南磚雕相比,廣府磚雕更加細膩纖巧、線條繁雜穿插、層次豐富,磚雕場景大,人物多,具有極強的藝術感和裝飾效果,被稱為“掛線磚雕”。磚雕大部分被使用在書院、祠堂和寺廟,也有用於私家園林,是財富、地位與權力的象徵。廣府磚雕從題材、製作工藝、雕刻技法以及在建築上的裝飾效果都獨具特色,是廣府民俗和文化的折射,也反映了廣東人民極高的審美水準和藝術追求。廣府磚雕是技術與藝術的結合,是繪畫、書法與雕刻和建築的結合,匠人們精益求精的精神及他們高超的技藝,值得我們深入發掘、研究與思考。但是目前廣府磚雕瀕臨失傳,沙灣的何世良先生憑藉自己對磚雕的熱愛與極高的悟性,讓廣府掛線磚雕的技藝重放光彩,為廣府磚雕的傳承做出了傑出貢獻,筆者也希望通過更多人的努力,能讓廣府磚雕得到更好的保留和傳承。

關鍵字

廣府磚雕 題材 工藝 技法 載體 傳承

並列摘要


The Guangfu brick caving is an important part of the three carvings (wood carving, brick carving, and stone carving) in the traditional architectural decoration techniques of Lingnan. It is known as the "hanging line brick", because of more delicate and exquisite, more complicated lines, richer layers, larger brick carving scenes, more characters, stronger artistic sense an decorative effect then the brick sculptures in the north and south of the Yangtze River. Most of its are not only used in academies, ancestral temples, temples, but also used in private gardens as the symbols of wealth, status, and power. Its unique of theme, production techniques, carving techniques, and decorative effects is the reflection of folk customs and culture of Guangfu, and the reflection of high aesthetic and artistic pursuits of the Cantonese. The Guangfu brick caving is worth deep exploring, studying and thinking, as it is the combination of technology and art, the combination of painting, calligraphy, sculpture and architecture, the spirit of constantly perfect artisan's skill, and production of their superb artistry. However, Guangfu brick caving is on the verge of loss at present, But now, Mr He Shiliang of Shawan relies on his love and high understanding of brick caving to carry forward again, to make a contribution for inheriting Guangfu brick caving. He hope that more and more people can learn this skill through his efforts, the skill of Guangfu brick caving can be well preserved and inherited.

並列關鍵字

Guangfu brick caving theme craft technique carrier inheritance

延伸閱讀


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