梁實秋、聞一多與比亞茲萊－側論一九二零年代留美學生之文學藝術觀

Liang Shiqiu, Wen Yiduo and Aubrey Beardsley: With an Aside on the Views of Literary Arts of Chinese Students Studying Abroad in the United States in the 1920s

徐霞(Tsui Ha)

《中國文學學報》 6期 (2015/12) Pp. 181-197

https://doi.org/10.6903/JCL.201512_(6).0008

摘要

梁實秋與聞一多在中國現代文學史上都是大師，前者是翻譯家及散文家，後者是詩人及學者，學界鮮有把兩人並置研究。本文以兩人青年時期的同窗交誼，通過雙方對比亞茲萊（Aubrey Beardsley）藝術觀交流這一側面，帶出文學史中作家與時代的另一面。本文用史實考證的方式，以英國插畫家比亞茲萊為線索，從作家早年的詩作、通信集、晚年的回憶文章等原始材料中，發掘作者有意迴避，主動或被動遺忘的藝術觀。本文希望在作家研究的角度，為現代文學史中梁實秋和聞一多的形象注入更人性化的一面。另一方面，也可從一九二零年代，梁實秋、聞一多留美時期的審美觀，折射出藝術與時代的複雜關係。

關鍵字

梁實秋 ； 聞一多 ； 比亞茲萊(Aubrey Beardsley) ； 藝術觀

並列摘要

Liang Shiqiu and Wen Yiduo were both great masters in the history of Chinese contemporary literature. The former was a translator and essayist, while the latter was a poet and scholar. In academic work, it is rare to have the two of them juxtaposed for research. By referring to their friendship at the time they were coworkers, and through the acquaintance the two of them had with Aubrey Beardsley while exchanging views on art with him, this article evokes a different side of the authors and times as part of the history of literature. This article uses an empirical method of historical investigation drawing on clues from the English engraver Aubrey Beardsley, and from the authors' early poetry, collected correspondence, and late writings of reflections, memories and so forth; it brings to light a view of art that the writers had intentionally avoided, and actively or passively forgotten. In writing this article it is hoped that from the perspective of research into these writers, for the sake of the figures of Liang Shiqiu and Wen Yiduo in contemporary history of literature, thereby to enter into a more personalized plane. In another respect, from the 1920s when Liang Shiqiu and Wen Yiduo were studying abroad in the United States, the article aims to analyze their views of art in terms of the complex relations of art and times.

並列關鍵字

Liang Shiqiu ； Wen Yiduo ； Aubrey Beardsley ； views of art