韓愈〈此日足可惜〉、〈元和聖德詩〉的古韻問題

本文分析韓愈〈此日足可惜〉和〈元和聖德詩〉，說明韓愈已經注意到上古與中古在押韻用字的不同，而且嘗試模仿，但由於欠缺上古音的知識，詩作的押韻出現問題。面對這種是非參半的押韻用字，歐陽修等以傍韻解釋，而吳棫、朱熹、嚴羽等則以古韻解釋。後者解析古韻，與閩北理學以至韓集在福建的流播皆有密切的關係，從《韻補》以至《滄浪詩話》，精於「字學」的韓愈仍是古韻討論中的重要人物。本文又分析宋代閩方言與「古韻」的雷同之處，促使閩人對於古韻特別敏感，他們主張使用以《集韻》為藍本的一系列韻書，代表了崇經復古的思潮。

關鍵字

韓愈；古韻；韻補；滄浪詩話

並列摘要

By examining the rhyming of Han Yu’s Old Style Poems, Ciri Zuke Xi and Yuanhe Shengde Shi, this paper argues that Han Yu was aware of the differences of rhyming in Archaic and Ancient Chinese. He also attempted to imitate the rhyming as seen in the Archaic Chinese corpus, but his imitation was problematic due to the inadequacy of his knowledge of Archaic Chinese Phonology. Regarding those of Han Yu's rhymes that are not completely accurate, Ouyang Xiu analyzed these rhymes from the perspective of Pangyun (Lateral Rhyme), while Wu Yu, Zhu Xi and Yan Yu introduced the concept of Guyun (Old Rhyme). The investigation of Guyun was highly relevant to the Neo- Confucianism of Northern Fujian and the popularity of Han Yu's work in Fujian. From Wu Yu's Yunbu to Yan Yu's Canglang Shihua, Han Yu the ＂Zixue (Studies of words) expert＂ was always the key topic of Guyun studies. This paper also states the similarities between Guyun and the Min dialect in the Song Dynasty, and comes to the conclusion that such similarities contributed to the Neo-Confucianists' sensitivity towards Guyun. Their choice of Jiyun as the reference of Guyun illustrates the conservative attitudes of Min Neo-Confucianists.

並列關鍵字

Han Yu ； Ancient Rhyme (Guyun) ； Yunbu ； Canglang Shihua

國際替代計量

韓愈〈此日足可惜〉、〈元和聖德詩〉的古韻問題

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