Talk about the Process of Film and TELEVISION Production

Ayixianmugu Kadi'er

《International Journal of Social Science and Education Research》 3卷9期 (2020/09) Pp. 112-116

https://doi.org/10.6918/IJOSSER.202009_3(9).0016

摘要

Film and TELEVISION is an important social media, especially with the development of social economy, the improvement of people's living standards, all kinds of social media in daily life play a more and more obvious role. At the same time, with the continuous rise of people's spiritual and material living standards, the audience's aesthetic pursuit of film and television works has become increasingly prominent. In such a cultural exchange market, the study of such a dynamic media as film and television becomes more and more important. In short, the reform and development of China's socialist market economy brings hope to China's film and television industry, but also brings a cruel challenge. Both film and television producers and researchers in the industry are facing unprecedented opportunities and challenges. Therefore, the research on film and television production has certain social and historical significance. On the one hand, the study of film and television production can bring hope to the vitality of the film and television industry; on the other hand, the deficiencies of the film and television industry can be understood and corrected. Taking the process of film and television production as an example, this paper mainly discusses the process of film and television production and its related problems. The purpose of this paper is to bring some reference value to the development of China's socialist film and television industry, thus to add to the shortcomings of the development of film and television industry.

關鍵字

Film and television production ； Process ； research

參考文獻

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Gao Fuan, Song Peiyi. Foundation of Film and TELEVISION Production management. Communication University of China Press, July 2006.

Zhang Jiabin. Aesthetic consciousness of TV producers. Producer's Words, 2001, No.3.

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