從「劇場公共領域」探討跨界舞蹈－以舞團「小事製作」為例

在社會環境、政治以及人文等背景的影響下，跨界的結合成了當今舞蹈藝術中最主流的創作及表演形式，不論是創作者與不同領域的跨界共製，或是觀眾的審美風格，都讓舞蹈藝術走向更多元的發展，所有舞蹈種類交融之下的當代舞蹈已不再只有關注於舞者肢體的展現，更是屬於蘊含了不同領域的「跨界舞蹈」。跨界舞蹈在五花八門的取材與結合下，更關注於與生活的密不可分，隨著藝術觀念的發展，公共性與藝術性已不再對立，觀眾與場域的考量受到跨界舞蹈的極大重視。舞團「小事製作」（Les Petites Choses Production）（以下簡稱小事）成立於2014年，致力於將舞蹈帶進人們的生活，延伸出三方發展：多元跨界共製、週一學校Monday School（藝術浸潤與社會溝通）、藝術推廣（一日編舞家）。2016年小事發起「週一學校」，以舞蹈為媒介、開放民眾交流的參與形式，從街頭橋下、劇院周邊、戲劇院內外的公共空間，打造開放交流的街頭舞蹈平台，並與多方領域合作多元跨界共製，激發舞蹈創作更多的可能性，更打破民眾對於舞蹈與劇場的既定觀念。因此本研究透過小事多方發展舞蹈藝術，從「劇場公共領域」的概念探討它在舞蹈上是如何作用、轉變，並突破舊有的表演形式以及民眾參與的模式，著重參與者的身體共舞、打造開放的舞蹈交流空間以及與民眾相互交流不斷變動的界線，期望在舞蹈創作與推廣上能有更多發展的可能性，並有效的進入到民眾的生活中並轉化其對藝術理解的框架。

關鍵字

跨界舞蹈；跨界共製；藝術推廣；劇場公共領域；小事製作

並列摘要

Under the influence of the social, political and human sciences, crossover combinations have become the most widespread form of creation and performance in contemporary dance art. Whether it is the crossover cooperation, or the aesthetic of the audiences, dance trajectory more diversified development. The contemporary dance under the integration of all dance genres is no longer only concerned with the physical expression of the dancers, but also belongs to the "crossover dance". With the development of art concept, publics and artistry are no longer opposed to each other, and the consideration of audiences and venues is greatly emphasized in crossover dance. Les Petites Choses Production was established in 2014, extended tripartite development, Monday School, One Day Choreographer and Interdisciplinary Co-Production. Les Petites Choses Production with dance as the medium and the open form of public participation, under the overpass, theater outside, theater and other public spaces, create an open and communicative street dance stage, cooperate with various fields and carry out multifaceted crossover joint creation, stimulate more possibilities of dance creation and break the established public perception of dance and theater. This paper multilateral development of dance through Les Petites Choses Production. The concept of "Theatrical Public Sphere" explores how its effect, transforms, and breaks through old forms of performance and modes of public participation in dance. The focus is on the body of the participants, build up an open space for dance communication, and the changing boundaries of communication with the public, hope to develop more possibilities in the creation and promotion of dance, and to effectively enter the lives of the public and transform the framework of their understanding of art.

並列關鍵字

Crossover dance ； Interdisciplinary Co-Production ； Art Promotion ； Theatrical Public Sphere ； Les Petites Choses Production

主題瀏覽