從羅蘭．巴特「神話修辭術」解讀芭蕾舞劇《大紅燈籠高高掛》的跨文化舞段

時至今日，「跨文化」藝術創作從早期單一結合，到當下複合與融合，極大豐富了藝術創作的角度、深度和廣度。跨文化舞蹈創作，尤其是在芭蕾舞劇中是屢見不鮮，如在大陸北京，由攝影專業出身，揚名電影界，跨界實景劇、歌劇、舞劇創作的張藝謀執導，由中央芭蕾舞團排演，並全球巡演數百場芭蕾舞劇《大紅燈籠高高掛》就是其中一例。劇中跨文化元素如中國戲曲、民族民間舞蹈、皮影戲、上世紀初期旗袍馬褂等運用之多、新、奇，令人驚歎，打破了傳統芭蕾舞劇程式化表演，使整個舞劇結構清晰、人物角色性格鮮明、戲劇衝突明顯，引人深思等。本文以羅蘭．巴特在「符號學」研究領域中注重實用主義，而提出的「神話修辭術」角度切入，聚焦分析、解讀該劇中跨文化舞段的運用，試圖打破只從諸多表層視覺化、外化符號等鮮明跨文化元素欣賞與解讀，而從舞蹈本體層面，建立在舞劇創作社會背景及人文文化因素等基礎上，分析其跨文化舞段中的身體動作，來深入解讀其創作合理性和藝術特色，並深究其劇中角色人物內在心理動機、深層內涵與意蘊的表達等。進而探尋中國化芭蕾舞劇創作的新思路和方法，探討已通行世界的芭蕾舞肢體語言，如何更好的與在地文化藝術、習慣習俗、宗教信仰等緊密結合，形成既有國際通用審美，又有在地獨特意味的創新芭蕾藝術，提升在地民眾審美意識、結構和層次之時，促進全人類的和諧共處與審美共用！

關鍵字

羅蘭．巴特；神話修辭術；芭蕾舞劇；《大紅燈籠高高掛》；跨文化舞段

並列摘要

At present, "cross-cultural" artistic creation is developing rapidly. It developed from the early singleness to the present combination and integration, which greatly enriched the angle, depth and breadth of artistic creation. The development of ballet's cross culture dance, such as Raise the Red Lantern in Beijing, mainland China, is one example. It was directed by Zhang Yimou, a famous film director who was once a photographer. It has been rehearsed by the Central Ballet and has been touring around the world for hundreds of times. There are many intercultural elements in this ballet, such as Chinese opera, Chinese folk dance, shadow play, cheongsam and mandarin jacket in the early 20th century. The extensive use of these elements has broken the stylized performance of the traditional ballet, making the whole dance drama clear, the character character, the dramatic conflict, and so on. This thesis is based on the perspective of Roland Barthes's "mythological rhetoric" to analyze and interpret the use of cross-cultural dances in this ballet. This thesis attempts to break through the appreciation and interpretation of distinct cross cultural elements, such as visual and externalized symbols. Further, on the basis of the social background and cultural and cultural factors of the ballet, this paper analyzes the body movements in the cross cultural dance section, in order to deeply interpret the rationality and artistic features of its creation, and explore the inner psychological motivation, deep connotation and implication of the characters in the play. This paper also hopes to explore the new ideas and methods for the creation of Chinese ballet, and explore how the ballet body language is better combined with local culture, culture and art, custom and religion. Finally, the realization of this kind of ballet has both international and unique aesthetic, innovative ballet art, to promote the aesthetic awareness, structure and level of the people, to promote the harmonious coexistence and aesthetic sharing of all human beings!

並列關鍵字

Roland Barthes ； mythological rhetoric ； ballet ； high red lantern ； cross-cultural dance

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